0104
Careers Fair
-
- 2023
- Blue
- Winchester School of Art
- Animation, A-boards A1 (420 × 594 mm), E-invite, Identity system, Wayfinding, Social media
- Fugue Regular (by Radim Pesko Foundry)
- -
Careers Fair
Studio 3015 designed the identity system for Winchester School of Art’s Career Fair, an event which offered students ideas for their careers with direct talks from industry-leading employers whilst providing them portfolio & CV advice.
Inspired by the variety of potential career routes, we developed custom arrows that sporadically rotated as a simulation of how the students would interact and approach the different employers. Supporting this element was a playful blue, which we felt was both approachable and complimentary of the technilogically-informed glyphs. A further aim with the project was to maintain consistency with the wider changes in the School’s research language, prompting us to maintain the use of the Fugue font family.
#: 0104
Year: 2023
Colour(s): Blue
Client(s): Winchester School of Art
Deliverable(s): Animation, A-boards A1 (420 × 594 mm), E-invite, Identity system, Wayfinding, Social media
Typeface(s): Fugue Regular (by Radim Pesko Foundry)
Printers: Creative Services & Print Centre, University of Southampton
Photography: Toby Wells
0103
Ordinary Things
-
- 2023
- Purple
- The Winchester Gallery
- E-invite, Identity system, Posters A2 (420 × 594 mm), Labels, Social media, Vinyl
- Oracle Book (by abcDinamo)
- -
Ordinary Things
Studio 3015 designed the visual language for ‘Ordinary Things’, an exhibition that featured twenty-six artists at WSA who transformed everyday objects into complex meditations on what it means to be in the world. The event was inspired by Marcel Duchamp, an artist who celebrated ordinary objects by putting them on pedestals in galleries. His playful engagement with the ‘museum effect’ — the extraordinary attention we’re expected to pay any object placed in an art gallery — suggested that art is an act of heightened awareness.
Participating artists: Danny Aldred, Alexandra (Sasha) Anikina, Daniel Ashton, Andrew Brook, J. R. Carpenter, Stephen Cornford, Ian Dawson, Megen de Bruin-Molé, Francis Gene-Rowe, Dave Gibbons, Seth Giddings, John Gillett, Jacob Hall, Daniel Hobson, Gordon Hon, Christina Mamakos, Clio Padovani, Kwame Phillips, Adam Procter, Andrew Reaney, Sara Roberts, Steven Sanderson, Amy Scott-Pillow, Julian Stadon, Nick Stewart, and Kai Syng Tan.
Pitch/Presentation
#: 0103
Year: 2023
Colour(s): Purple
Client(s): The Winchester Gallery
Deliverable(s): E-invite, Identity system, Posters A2 (420 × 594 mm), Labels, Social media, Vinyl
Printers: Creative Services & Print Centre, University of Southampton
Photography: George Davis-Ansted
0102
MA Degree Show 2023
-
- 2023
- MagentaGreen
- Winchester School of Art, MA Contemporary Curation, MA Fashion Design, MA Fine Art, MA Textile Design & Communication Design
- A-boards A1 (420 × 594 mm), Animation, Custom typeface, E-invite, Maps A4 (297 × 210 mm), Social media, Vinyl
- BTP Normal (by A is for Font)
- -
MA Degree Show 2023
Studio 3015 designed the identity system for Winchester School of Art’s MA Degree Show in 2023 that celebrated the cohort of students graduating from their studies and showcased their work from our postgraduate programmes; MA Contemporary Curating, MA Fashion Design, MA Fine Art and MA Textile Design.
Continuing the theme of the BA Degree Show in 2023 with a visual language that reflected upon the constructing and presenting sides of an annual showcase, we developed two custom glyphs (‘MA’) which repetitively form & unform amongst a playful pink/green framework. A new font (BTP by A is for Font) was equally introduced based on its visual similarities with the School’s Rotunda building and wider campus architecture.
Pitch/Presentation
#: 0102
Year: 2023
Client(s): Winchester School of Art, MA Contemporary Curation, MA Fashion Design, MA Fine Art, MA Textile Design & Communication Design
Deliverable(s): A-boards A1 (420 × 594 mm), Animation, Custom typeface, E-invite, Maps A4 (297 × 210 mm), Social media, Vinyl
Typeface(s): BTP Normal (by A is for Font)
Printers: Creative Services, Big Stuff & Print Centre, University of Southampton
Photography: George Davis-Ansted
0101
BA Fashion Design 2023
-
- 2023
- GreyGrey
- BA Fashion Design
- A-boards A1 (420 × 594 mm), Banners 500mm × 1000mm, Posters A1 (420 × 594 mm), Tickets A6 (105 × 148.5 mm)
- Agipo Regular and Condensed (by Radim Pesko)
- -
BA Fashion Design 2023
Studio 3015 designed promotional material for BA Fashion Design’s Fashion Show at the Winchester Guildhall, based off our visual language from 2018. Applied across the Guildhall West Wing and main Winchester School of Art sites, a core focus of the project was signage to guide visitors from the main campus to the location of the show. This included developing navigational a-boards and long hanging banners in public facing areas of the city. Folded pamphlets/posters were additionally produced to present the cohort’s work & contact details.
#: 0101
Year: 2023
Client(s): BA Fashion Design
Deliverable(s): A-boards A1 (420 × 594 mm), Banners 500mm × 1000mm, Posters A1 (420 × 594 mm), Tickets A6 (105 × 148.5 mm)
Typeface(s): Agipo Regular and Condensed (by Radim Pesko)
Printers: Print Centre, Bishops & Creative Services Centre
Photography: Toby Wells
0100
Democratic Futures
-
- 2023
- Grey
- BA Graphic Arts, Studio 3015, Winchester School of Art
- Publications A5 (148 × 210 mm), Tri-a-board, Posters A3 (420 × 297 mm), A-boards A1 (420 × 594 mm), Animation, Social media, Workshops
- Neureal Regular (by Laura Csocsán for ECAL Typefaces), ft88 (by Ange Degheest)
- -
Democratic Futures
Democratic Futures is a collaborative inquiry between BA Hons Graphic Arts students at Winchester School of Art, University of Southampton and the Parliamentary Archives. The project explored the political archives of the 1872 Secret Ballot Act on its 150th anniversary and the implications of this act then, and now, to the democratic electoral system.
Before the Secret Ballot Act, voting consisted of employers, landlords, political operatives and clergy using strategies of intimidation to exert their influence on citizens who had to vote by voice or show of hands. Voters would be bribed or coerced into voting for candidates regardless of their personal opinions or views. The 1872 Secret Ballot Act introduced a radical reform which ensured privacy in the procedures and the act of voting, introducing the democratic electoral system. With the progression into the third and fourth Industrial Revolutions there have been rapid shifts in the quantity and quality of political information that we consume. BA Graphic Art students at Winchester School of Art have speculated on and explored how the expansion of new technologies are changing how we interact with political information, and with it, the validity, reliability and authenticity of political content.
Rather than look for answers, students worked by proposing questions of alternative futures rather than a conventional design problem. Here, investigating through speculation acts as a tool of enquiry by provoking societal and political debates while challenging existing norms. Asking questions beyond the project title allowed students to expand the boundaries of the project through developing outcomes that consider potential future realities. Students also questioned their use of conventional design decisions, and adherence to organisational structures and universal systems. Such formal principles represent a limited definition of design. To challenge conventions and norms of design approach, students participated in a series of multidisciplinary workshops which aimed to challenge these existing design structures that might allow for more shared thinking and more ‘democratic’ visuals.
The process of collaboration and speculation within a project such as Democratic Futures was fundamental to developing new learning frameworks. In this publication, which acts as a record and an extension of the project, each contributor responded to a question that frames key issues, dialogues and related debates giving context and meaning to the work produced, beyond face values. We thank the following professional contributors for their supporting roles in enhancing student understanding and helping develop alternative approaches to challenging norms: Penny McMahon - Outreach Archivist, Parliamentary Archives; Ed D’Souza – Professor of Critical Practice, Winchester School of Art; Dem Gerolemou - Designer Google; Jonas Zieher - Motion Designer, Andy Reaney - Printmaking Technician, Winchester School of Art; and the in-house design studio of Winchester School of Art, Studio 3015.
#: 0100
Year: 2023
Colour(s): Grey
Client(s): BA Graphic Arts, Studio 3015, Winchester School of Art
Deliverable(s): Publications A5 (148 × 210 mm), Tri-a-board, Posters A3 (420 × 297 mm), A-boards A1 (420 × 594 mm), Animation, Social media, Workshops
Typeface(s): Neureal Regular (by Laura Csocsán for ECAL Typefaces), ft88 (by Ange Degheest)
Printers: PurePrint Group
Interns: Amy Mepham, Ethan Read, Matt Slater, Mitesh Shantilal, Tom Emery, Weihong Tang & Zhuoya Wei
ISBN: 978-1-3999-5370-2
Edited by: Prof. Ed D’Souza
Special thanks to: Jodie Silsby, Ian Jackson, Penny McMahon, Dem Gerolemou, Jonas Zieher, Andy Reaney, George Davis-Ansted & Toby Wells
Photography: Weihong Tang & Zhuoya Wei
0099
ESC
-
- 2023
- BlueGrey
- BA Games Design & Art
- Animation, A-boards A1 (420 × 594 mm), E-invite, Identity system, Posters, Publications A5 (148 × 210 mm), Logo, Vinyl
- Analo Grotesk Regular (by Due Studio)
- Peregrina Classics Metallic Silver 250gsm (by G.F. Smith), Accent Recycled Natural White 150gsm (by G.F. Smith)
ESC
BA Games Design & Art 2023
Studio 3015 designed the identity system for BA Games Design’s 2023 exhibition that showcased the thinking and ideas that culminated in three years of study on the programme at Winchester School of Art (University of Southampton). The students created a product which not only spoke to players, but which showcased a range of skills and ability in addition to communicating an idea and experience through great design using the theme of ‘Escape’.
Pitch/Presentation
#: 0099
Year: 2023
Client(s): BA Games Design & Art
Deliverable(s): Animation, A-boards A1 (420 × 594 mm), E-invite, Identity system, Posters, Publications A5 (148 × 210 mm), Logo, Vinyl
Typeface(s): Analo Grotesk Regular (by Due Studio)
Paper(s): Peregrina Classics Metallic Silver 250gsm (by G.F. Smith), Accent Recycled Natural White 150gsm (by G.F. Smith)
0098
BATD
-
- 2023
- Purple
- BA Textile Design
- Catalogues A6 (105 × 148.5 mm), Artwork Labels, Social media, Posters A1 (420 × 594 mm)
- Grotta Regular (by Due Studio)
- -
BATD
BA Textile Design 2023
Studio 3015 designed catalogues, a social media campaign and posters for BA Textile Design in 2023. Continuing the theme of texture through fabrics & weave, we produced a playful lilac & olive colour scheme against a border format to compliment the impressive range of student work.
#: 0098
Year: 2023
Colour(s): Purple
Client(s): BA Textile Design
Deliverable(s): Catalogues A6 (105 × 148.5 mm), Artwork Labels, Social media, Posters A1 (420 × 594 mm)
Typeface(s): Grotta Regular (by Due Studio)
Printers: Creative Services Centre & Print Centre, University of Southampton
0097
Graduate Fashion Week x BA Fashion Design
-
- 2023
- Grey
- BA Fashion Design, Winchester School of Art
- Social media, Identity system, Animation
- Fugue Regular (by Radim Pesko for Radim Pesko Foundry)
- -
Graduate Fashion Week x BA Fashion Design
Studio 3015 worked alongside staff & students on the BA Fashion Design programme to create a variety of motion social media assets for a Graduate Fashion Week Instagram story takeover. We curated a sequence of imagery & videography alongside using Fugue (a typeface with an ongoing use for the School’s wider research visual language) for a coherent & playful outcome.
#: 0097
Year: 2023
Colour(s): Grey
Client(s): BA Fashion Design, Winchester School of Art
Deliverable(s): Social media, Identity system, Animation
Typeface(s): Fugue Regular (by Radim Pesko for Radim Pesko Foundry)
0096
BA Degree Show 2023
-
- 2023
- BlueOrange
- Winchester School of Art
- E-invite, Animation, A-boards A1 (420 × 594 mm), Identity system, Logo, Vinyl, Website, Press releases, Social media, Templates, Wayfinding, Maps
- Fugue Regular (by Radim Pesko for Radim Pesko Foundry)
- -
BA Degree Show 2023
Studio 3015 designed the identity system for Winchester School of Art’s BA Degree Show in 2023 that celebrated the cohort of students graduating from their studies and showcased their work from our six undergraduate programmes; BA Fashion Marketing with Management, BA Fashion Design, BA Fine Art, BA Games Design & Art, BA Graphic Arts and BA Textile Design.
The title rationale, ‘Building’, was inspired by the two sides of a degree show, the assemblance and the presentation of work for the event itself. Established through a custom lockup, the element forms then deconstructs repetitively to symbolise the annual reoccurance of the event. Further supporting the idea of constrasting elements of a degree show, a playful bright blue (symbolising the emphasis of impressive work) was selected against a tactile brown and off-white (representing the behind the scenes formation of the show) - collectively introducing an alternative colour system to previous cohorts. Fugue was additionally re-applied to the visual language for 2023 as a subtle nod to the wider ongoing changes in the School’s research output, including the launch of the Rotunda - therefore generating a sense of synergy as a collective on-campus.
Pitch/Presentation
#: 0096
Year: 2023
Client(s): Winchester School of Art
Deliverable(s): E-invite, Animation, A-boards A1 (420 × 594 mm), Identity system, Logo, Vinyl, Website, Press releases, Social media, Templates, Wayfinding, Maps
Typeface(s): Fugue Regular (by Radim Pesko for Radim Pesko Foundry)
Printers: Big Stuff, Creative Services & Bishops
Photography: George Davis-Ansted
0095
AMT Material Interests: Guest Lecture Series
-
- 2023
- OrangeGrey
- AMT Material Interests
- Posters A2 (420 × 594 mm)
- Fugue Regular (by Radim Pesko for Radim Pesko Foundry)
- -
AMT Material Interests: Guest Lecture Series
Studio 3015 designed four posters that represented collective discussions by Anna Engelhardt, Kwame Phillips, Dr Emma Reay & Dr Alexandra Anikina as part of the Guest Lecture series for Winchester School of Art’s Art Media & Technology Department.
#: 0095
Year: 2023
Client(s): AMT Material Interests
Deliverable(s): Posters A2 (420 × 594 mm)
Typeface(s): Fugue Regular (by Radim Pesko for Radim Pesko Foundry)
Printers: Creative Services Centre
0094
MA Fashion & Sustainability Forum 2023
-
- 2023
- OrangeGrey
- MA Fashion Design
- Booklets A5 (148 × 210 mm), Social media, E-invite, Postcards A5 (148 × 210 mm)
- Fugue Regular and Headline (by Radim Pesko for Radim Pesko Foundry)
- -
MA Fashion & Sustainability Forum 2023
Studio 3015 designed a customisable booklet system alongside supporting assets to promote the MA Fashion Sustainability Forum - an annual event consisting of a day of talks, interviews, networking and films surrounding eco friendly practices at Winchester School of Art.
#: 0094
Year: 2023
Client(s): MA Fashion Design
Deliverable(s): Booklets A5 (148 × 210 mm), Social media, E-invite, Postcards A5 (148 × 210 mm)
Typeface(s): Fugue Regular and Headline (by Radim Pesko for Radim Pesko Foundry)
0093
Bhajan Hunjan Connecting with Maria Lucia Cattani
-
- 2022
- Green
- MA Contemporary Curation, The Winchester Gallery, Winchester School of Art Library
- Identity system, Posters A2 (420 × 594 mm), Social media, Vinyl, E-invite, Artwork Labels
- Oracle Book, Mono and Italic (by abcDinamo)
- -
Bhajan Hunjan Connecting with Maria Lucia Cattani
Studio 3015 designed the identity system for an exhibition showcasing the work of Bhajan Hunjan. Hunjan was the 2020 Artist in Residence at Projecto Maria Lucia Cattani, Brazil, where artists and curators are invited to celebrate the late Maria Lucia Cattani, respected Brazilian artist, through new work of their own and selections from her archive. Both artists have produced works on paper and small-scale books; both have connected with textiles and with the repetitive and patient tasks of their women ancestors.
Bhajan’s approach to the challenge offers an intimacy of interpretation, without imitation. She has devised a meaningful visual language which remains culturally and materially distinct whilst acknowledging and celebrating the work of another. It focuses on Maria Lucia’s ‘script works’, distinctive, confident prints and drawings, intentionally illegible, overprinted in massed multiples, using colour and rotation in strict and not-so-strict systems. In response, Bhajan developed a language of soft mark-making, less systematic and rotational, but reflecting a spiritual connection with the work of her friend and memories of her remarkable energy and generosity. Inspired by Sikh Gurbani scriptures from the Punjab, and while listening to the sacred music often sung to specific ragas, Bhajan printed long, fluid blocks of meditative, cursive script, repeated in a rhythmic, punctuated undulation.
Pitch/Presentation
#: 0093
Year: 2022
Colour(s): Green
Client(s): MA Contemporary Curation, The Winchester Gallery, Winchester School of Art Library
Deliverable(s): Identity system, Posters A2 (420 × 594 mm), Social media, Vinyl, E-invite, Artwork Labels
Printers: Creative Services Centre
Photography: Dave Gibbons
0092
Queering Connections: Narielwalla // Dixon
-
- 2023
- PurpleMagenta
- iPIC Research Group, The Winchester Gallery
- Identity system, Posters A2 (420 × 594 mm), Press releases A4 (297 × 210 mm), Vinyl, E-invite, Booklets A5 (148 × 210 mm), Artwork Labels
- Maxi Round Mono Light (by abcDinamo)
- -
Queering Connections: Narielwalla // Dixon
Studio 3015 designed the identity system for the third iteration of the collaborative exhibition project ‘Queering Connections’, which hosted two artists whose work is represented in University of Southampton/Winchester School of Art’s internationally renowned Artists’ Book Collection, started in the late 1960s: Hormazd Narielwalla and Jeremy Dixon.
Both artists work with collage as a main artistic medium, layering high art and popular culture references within their aesthetically different art works, conveyed through Maxi - a display typeface which responded well with Narielwalla’s use of shapes and abstraction against the Gallery’s Oracle - a neutral typeface that correlated with Dixon’s more understated practice. These combined assets supported the ways in which their work relates to identity and LGBTQ+ themes, specifically how Narielwalla and Dixon draw on their personal stories and journeys as well as broader concerns relating to queer lives and histories.
Pitch/Presentation
#: 0092
Year: 2023
Client(s): iPIC Research Group, The Winchester Gallery
Deliverable(s): Identity system, Posters A2 (420 × 594 mm), Press releases A4 (297 × 210 mm), Vinyl, E-invite, Booklets A5 (148 × 210 mm), Artwork Labels
Typeface(s): Maxi Round Mono Light (by abcDinamo)
Printers: Big Stuff, Bishops Printers & Creative Services Centre
Photography: George Davis-Ansted
0091
WSA Brand 2022/2023
-
- 2022
- MagentaGrey
- Winchester School of Art
- Postcards A5 (148 × 210 mm), Identity system
- DIN Regular (by Albert-Jan Pool), Freight Medium (by Joshua Darden for Garage Fonts)
- -
WSA Brand 2022/2023
Working with the University of Southampton’s brand guidelines, Studio 3015 updated the School’s three colours as part of an annual brand refresh for the 2022/2023 year/term. This included working with various colleagues on Winchester School of Art’s online & print marketing assets, including postcards for Open Days which provided new students with an overview of the programmes & wider campus/facilities.
#: 0091
Year: 2022
Client(s): Winchester School of Art
Deliverable(s): Postcards A5 (148 × 210 mm), Identity system
Typeface(s): DIN Regular (by Albert-Jan Pool), Freight Medium (by Joshua Darden for Garage Fonts)
Printers: Print Centre, University of Southampton
0090
What Colour Is Metal?
-
- 2022
- Orange
- The Winchester Gallery
- E-invite, Artwork Labels, Social media, Vinyl, Website
- Graphik Regular, Formation Demi-Bold
- -
What Colour Is Metal?
Studio 3015 was tasked with supporting the design of promotional assets for What Colour is Metal? This was an identity system that was designed by wemakevisual in Ireland for an exhibition that brought audiences on a journey of process, experimentation and mastery through the practice of 25 contemporary jewellers and silversmiths. Following a successful run in Dublin Castle, that saw over 50,000 visitors, and a showing in National Gallery of Craft and Design, Kilkenny, Ireland, What Colour is Metal? was further presented at The Winchester Gallery.
#: 0090
Year: 2022
Colour(s): Orange
Client(s): The Winchester Gallery
Deliverable(s): E-invite, Artwork Labels, Social media, Vinyl, Website
Printers: Creative Services Centre
Designed by: Nathan Somers, wemakevisual
0089
WSA Green Week 2022
-
- 2022
- Green
- BA Fashion Design, BA Fashion Marketing, BA Textile Design, Winchester School of Art
- A-boards A1 (420 × 594 mm), Posters A3 (420 × 297 mm), Identity system, Invitations A5 (148 × 210 mm), Website, Social media, Swingtags 75 × 40 mm
- Martin Condensed (by Vocal Type)
- -
WSA Green Week 2022
WSA Green Week, in association with Winchester Green Week, provided a series of events and activities delivered by Winchester School of Art, aimed to highlight more sustainable ways of living. Studio 3015 emphasised this by designing a green-on-green identity system alongside using the typeface Martin, influenced by the message of protest against practices such as fast fashion.
#: 0089
Year: 2022
Colour(s): Green
Client(s): BA Fashion Design, BA Fashion Marketing, BA Textile Design, Winchester School of Art
Deliverable(s): A-boards A1 (420 × 594 mm), Posters A3 (420 × 297 mm), Identity system, Invitations A5 (148 × 210 mm), Website, Social media, Swingtags 75 × 40 mm
Typeface(s): Martin Condensed (by Vocal Type)
Printers: Creative Services Centre & Print Centre, University of Southampton
Intern: Katie Bevan
0088
MA Degree Show 2022
-
- 2022
- BlueOrange
- Winchester School of Art
- Posters A2 (420 × 594 mm), E-invite, A-boards A1 (420 × 594 mm), Maps A4 (297 × 210 mm)
- Helvetica Neue Regular (by Max Miedinger)
- Galerie Silk 200gsm
MA Degree Show 2022
Studio 3015 designed the identity system for Winchester School of Art’s MA Degree Show in 2022. This was a continuation from the BA Degree Show (2022) but incorporated a seperate tone alongside refined glyphs for the perception of a unique, stand-alone event as well as continuity.
#: 0088
Year: 2022
Client(s): Winchester School of Art
Deliverable(s): Posters A2 (420 × 594 mm), E-invite, A-boards A1 (420 × 594 mm), Maps A4 (297 × 210 mm)
Typeface(s): Helvetica Neue Regular (by Max Miedinger)
Paper(s): Galerie Silk 200gsm
Printers: Print Centre, University of Southampton
0087
BA Degree Show 2022
-
- 2022
- OrangeGreenBlue
- Winchester School of Art
- Identity system, Animation, A-boards A1 (420 × 594 mm), Booklets, E-invite, Invitations, Maps, Vinyl, Website
- Helvetica Neue Regular (by Max Miedinger)
- Galerie Silk 200gsm
BA Degree Show 2022
Studio 3015 designed the identity system for Winchester School of Art’s BA Degree Show in 2022 that celebrated the cohort of students graduating from their studies and emphasised the significant standard of work that was produced following a difficult two-year period admist the Covid-19 pandemic.
For the identity, experimental typographic forms were created to visualise ’2022’, with each holding a characterisation that represented the materiality of the five graduating programmes: Fashion Design, Fine Art, Games Design, Graphic Arts, Textile Design. These programmes were then paired through their similarities of materials/processes and were also provided their own colour identity system as part of wayfinding & signage across the campus. Animation sequences were additionally produced to represent the cross-disciplinary nature of the programmes through the further mergance of the typographic elements.
#: 0087
Year: 2022
Client(s): Winchester School of Art
Deliverable(s): Identity system, Animation, A-boards A1 (420 × 594 mm), Booklets, E-invite, Invitations, Maps, Vinyl, Website
Typeface(s): Helvetica Neue Regular (by Max Miedinger)
Paper(s): Galerie Silk 200gsm
Printers: Print Centre, University of Southampton
Photography: Toby Wells
0086
BA Textile Design 2022
-
- 2022
- Green
- BA Textile Design
- Catalogues A5 (148 × 210 mm), Posters A2 (420 × 594 mm), Social media
- ABC Gravity Condensed (by abcDinamo), Oracle Book and Mono (by abcDinamo)
- Colorplan, Mist 270gsm (by G.F. Smith)
BA Textile Design 2022
Studio 3015 designed catalogues, a social media campaign and posters for BA Textile Design in 2022. Working closely with staff & students on the programme we produced a playful colour scheme against a border format that complimented the impressive range of fabrics.
Pitch/Presentation
#: 0086
Year: 2022
Colour(s): Green
Client(s): BA Textile Design
Deliverable(s): Catalogues A5 (148 × 210 mm), Posters A2 (420 × 594 mm), Social media
Typeface(s): ABC Gravity Condensed (by abcDinamo), Oracle Book and Mono (by abcDinamo)
Paper(s): Colorplan, Mist 270gsm (by G.F. Smith)
Printers: Print Centre, University of Southampton
Make-up Artists: Emma-Louise Orskaug, Keziah Gordon & Mia Lianne
Stylist: Rebekah Roy
0085
Elevate
-
- 2022
- MagentaGrey
- BA Games Design & Art
- Identity system, Social media, A-boards A1 (420 × 594 mm), Signage, Catalogues
- FK Raster Grotesk Blended (by Florian Karsten), Good Sans Regular (by Good Type Foundry)
- Peregrina Classics Metallic Silver 270gsm (by G.F. Smith), Munken Polar Crisp White Smooth 135gsm (by G.F. Smith)
Elevate
BA Games Design 2022
Elevate is the identity system representing BA Games Design in 2022. The title, ‘Elevate’ sought inspiration from the idea of transitioning from one period of time to another; reaching new heights and starting new beginnings. This concept was also considered throughout the design elements of the identity; as abstract forms within a games controller help elevate a character within a game through different levels, we wanted this to reflect the student journey and utilise these abstract shapes to help represent their individual, unique experiences at Winchester School of Art. The symbols were distributed at random across the exhibition showcasing their final games and a publication which housed their final works. Alongside this, animated to be randomised highlighting the importance of students each holding a unique journey to get to the graduating moment across different digital formats.
A generative design system was also created for the publication showcasing the student work, in which each team of students helped to produce a game using chose 6 iconic abstract shapes. These forms were then applied within gaming methods to create a unique pattern. Due to the nature of a spiral bind, these are able to be removed from the publication and used as posters which the students are able to keep as memorabilia.
The colour system reflected upon the materials that symbolised traditional gaming software, but also how technology has modernised the way we interact with interfaces shown by using new printing methods such as the HP Indigo printing process, used at PurePrint. The silver reflects materials of CDs and floppy disks used for retro games, whilst the pink symbolises iconic palettes used from the time the first digital game was created and this emphasis on ‘screen’ based, new technologies. Raster Grotesk was also used to emphasis this, reflecting a form of pixels to create an image.
#: 0085
Year: 2022
Client(s): BA Games Design & Art
Deliverable(s): Identity system, Social media, A-boards A1 (420 × 594 mm), Signage, Catalogues
Typeface(s): FK Raster Grotesk Blended (by Florian Karsten), Good Sans Regular (by Good Type Foundry)
Paper(s): Peregrina Classics Metallic Silver 270gsm (by G.F. Smith), Munken Polar Crisp White Smooth 135gsm (by G.F. Smith)
Printers: PurePrint Group
0084
Revelate
-
- 2022
- Grey
- BA Fashion Design
- A-boards A1 (420 × 594 mm), Posters A2 (420 × 594 mm), Identity system, Social media, E-invite, Long hanging posters 1070.80 × 2114.32 mm, Eventbright, Running orders A3 (420 × 297 mm)
- Neue Haas Grotesk Roman
- -
Revelate
BA Fashion Design 2022
Revelate is the identity system representing BA Fashion Design in 2022. Tasked with responding to the theme of a young, driven and creative generation emerging from education into the industry with references of underground, urbanised films including Fish Tank (2009) & La Haine (1995), Studio 3015 produced a film-inspired response using distorted/rendered imagery.
#: 0084
Year: 2022
Colour(s): Grey
Client(s): BA Fashion Design
Deliverable(s): A-boards A1 (420 × 594 mm), Posters A2 (420 × 594 mm), Identity system, Social media, E-invite, Long hanging posters 1070.80 × 2114.32 mm, Eventbright, Running orders A3 (420 × 297 mm)
Typeface(s): Neue Haas Grotesk Roman
Printers: Creative Services Centre
0083
Protest.mp4
-
- 2022
- Grey
- BA Graphic Arts, Museumand, The National Caribbean Museum
- Invitations A5 (148 × 210 mm), Publications A5 (148 × 210 mm), A-boards A1 (420 × 594 mm), Social media, E-invite, Vinyl, Website
- Helvetica Neue Medium and Regular (by Max Miedinger for Linotype), The Neue Black (by Vocal Type)
- Cyclus Offset 300gsm and 135gsm (by Antalis)
Protest.mp4
The Protest.mp4 collaborative student project was delivered in October 2021, the year of the 40th anniversary of the 1981 Brixton Uprisings. Studio 3015 used this opportunity raised by this anniversary to develop and lead a collaborative project with the purpose of revisiting this important British event and to connect current interests in race and activism raised through more recent global protests, led by the Black Lives Movement, to continued issues of racial disparity. Studio 3015 chose to work outside of the national archives that exist but made the decision to highlight the work of Museumand, The National Caribbean Museum as an example of a progressive British institution and archive to create a project that might tangibly engage with these linked histories and issues. Bringing BA (Hons) Graphic Arts students both into contact with historic material and an organisation that is really focused on supporting engagement with Black British history and culture is also about illustrating different ways that this student community might engage and participate in wider questions of culture, identity and how design might foster critical and useful societal engagement with these subjects. There of course within Museumand’s archive key documents and community produced political protest material directly relating to issues of racial discrimination raised through the Brixton uprisings and a project like this also seeks to allow the use of history to engage with what is a continued issue in contemporary Britain that our students can engage in. From these discussions students were encouraged to interpret the diverse social and political archival materials, primarily communicating a theme relating to the 1981 Brixton uprisings ensuring that they respect the content and context of the material, the voices of those involved and its place in history.
The students were encouraged to explore a range of visual approaches considering context, historic and contemporary parallels, themes and audience. Protest.mp4 as a project space offered students the opportunities to think of their outcomes in various ways. This included the use of a speculative design approach to challenge the subject matter and material allowing for a space to imagine alternative and better futures. These speculative approaches importantly encompass digital spaces, new technologies, other alternatives methods of communication or engagement beyond the traditional confines of print. As an approach and through professionally supported workshops, students framed responses around key words such as interpret, agitate, inform, solve or reveal.
The process of collaboration was fundamental for students to create informed conversations whilst utilising the practising skillsets of the Graphic Arts cohort. Working with Museumand —The National Caribbean Heritage Museum, Eddie Opara—Pentagram, Kieron Lewis, Jona Zieher—Spin and Studio 3015—WSA, allowed for the contribution of their perspectives of race, diversity, speculative practice, technology and activism. Through the generous support of these professional contributors, the students greatly enhanced their understanding of these subjects and independently sought alternative approaches to challenge norms.
Students worked under the guidance of Studio 3015 in a studio setting to create an identity system that communicated the key principles of Protest.mp4. They investigated and demonstrated how their messages could be communicated through the lens of traditional forms of protest, and queried how this medium can be challenged through new ways of thinking and designing. The expansion of new technologies has altered the landscape of design and how communication is perceived and experienced. Questioning the role of the poster and how this can be pushed beyond the boundaries of the printed page would allow the medium to expand and serve as a unified coexistence in both a physical and digital space. Typography on the animated designs would be responsive and reactive, amplifying the mode of design activism to a contemporary audience. With a lack of diversity within the Graphic design industry, students wanted to employ a typeface that was representational of race, protest and its history. Designed by Tré Seal, Vocal Type, Neue Black typeface was a relevant identity choice for the project due to it design being grounded within civil right protest movements.
#: 0083
Year: 2022
Colour(s): Grey
Client(s): BA Graphic Arts, Museumand, The National Caribbean Museum
Deliverable(s): Invitations A5 (148 × 210 mm), Publications A5 (148 × 210 mm), A-boards A1 (420 × 594 mm), Social media, E-invite, Vinyl, Website
Typeface(s): Helvetica Neue Medium and Regular (by Max Miedinger for Linotype), The Neue Black (by Vocal Type)
Paper(s): Cyclus Offset 300gsm and 135gsm (by Antalis)
Award: Finalist for ‘Design For Good’, Antalis Creative Power
Printers: PurePrint Group
ISBN: 978-1-3999-2315-6
Binding: Spiral bound, Caromer
Edited by: Prof. Ed D’Souza
Photography: Dave Gibbons
0082
MA Fashion & Sustainability Forum 2022
-
- 2022
- GreyGrey
- MA Fashion Design
- Booklets 167 × 240 mm, E-invite, Posters A3 (420 × 297 mm)
- Fugue Headline and Regular (by Radim Pesko for Radim Pesko Foundry)
- -
MA Fashion & Sustainability Forum 2022
Studio 3015 designed a booklet alongside supporting assets to promote the MA Fashion Sustainability Forum - an annual event consisting of a day of talks, interviews, networking and films surrounding eco friendly practices at Winchester School of Art.
#: 0082
Year: 2022
Client(s): MA Fashion Design
Deliverable(s): Booklets 167 × 240 mm, E-invite, Posters A3 (420 × 297 mm)
Typeface(s): Fugue Headline and Regular (by Radim Pesko for Radim Pesko Foundry)
0081
Inner Worlds: Heinrich and Palmer
Inner Worlds: Heinrich and Palmer
Studio 3015 produced an identity system for the culminating public display of Anna Heinrich and Leon Palmer following their year-long artist residency, sampled at Winchester School of Art: water from the pond; a spiders’ web; workshop dust; a flake of studio paint and other elements, examined at massive magnification the worlds contained within these tiny things. The resulting light-projection brought together all this detail, along with its architectural context, in a moving, ephemeral response to the art school building and specifically its iconic Rotunda.
This work developed in particular from the opportunities the artists negotiated at the Biomedical Imaging Unit, part of the University located within Southampton General Hospital, where they were given access to scanning electron microscopy, confocal and lightsheet microscopy and photomicroscopy.
#: 0081
Year: 2022
Client(s): The Winchester Gallery
Deliverable(s): Posters A3 (420 × 297 mm), Social media, Vinyl
Printers: Creative Services Centre
0080
Prospectus 2021
-
- 2021
- RedBlue
- Winchester School of Art
- Prospectus 167 × 240 mm
- DIN Bold and Regular (by Albert-Jan Pool)
- Horizon Offset 120gsm and 250gsm
Prospectus 2021
Working with the University of Southampton’s brand guidelines, Studio 3015 designed Winchester School of Art’s prospectus in 2021.
#: 0080
Year: 2021
Client(s): Winchester School of Art
Deliverable(s): Prospectus 167 × 240 mm
Typeface(s): DIN Bold and Regular (by Albert-Jan Pool)
Paper(s): Horizon Offset 120gsm and 250gsm
Printers: Bishops Printers
0079
BA Degree Show 2021
-
- 2021
- Green
- Winchester School of Art
- A-boards A1 (420 × 594 mm), E-invite, Booklets A5 (148 × 210 mm)
- Basis Grotesque Medium (by Colophon)
- Galerie Silk 200gsm
BA Degree Show 2021
Studio 3015 designed the identity system for Winchester School of Art’s BA Degree Show in 2021. Influenced by the environment in which WSA is located, a graphic language was designed to reflect the natural and organic flow of the river itchen that runs through the campus. Using this motion with geometric shapes, together with colour, a unique graphic represented the 2021 graduates of WSA.
Pitch/Presentation
#: 0079
Year: 2021
Colour(s): Green
Client(s): Winchester School of Art
Deliverable(s): A-boards A1 (420 × 594 mm), E-invite, Booklets A5 (148 × 210 mm)
Typeface(s): Basis Grotesque Medium (by Colophon)
Paper(s): Galerie Silk 200gsm
Printers: Culverlands, Big Stuff & Print Centre, University of Southampton
0078
MA Work In Progress Show 2021
-
- 2021
- Red
- MA Fashion Design, MA Contemporary Curation, MA Fine Art, MA Luxury Brand Management, MA Textile Design & Communication Design
- E-invite, A-boards A1 (420 × 594 mm), Posters A3 (420 × 297 mm), Vinyl, Social media, Flyers A6 (105 × 148.5 mm)
- Basis Grotesque Medium (by Colophon)
- Galerie Silk 350gsm, Edixion Offset 120gsm
MA Work In Progress Show 2021
Studio 3015 was tasked with the challenge of conveying the idea of ‘Work In Progress’ for the MA Work in Progress Show in 2021, which involved re-thinking and re-using an existing identity using hand cut shapes and typographic forms based on leftover objects that were found across the campus.
Pitch/Presentation
#: 0078
Year: 2021
Colour(s): Red
Client(s): MA Fashion Design, MA Contemporary Curation, MA Fine Art, MA Luxury Brand Management, MA Textile Design & Communication Design
Deliverable(s): E-invite, A-boards A1 (420 × 594 mm), Posters A3 (420 × 297 mm), Vinyl, Social media, Flyers A6 (105 × 148.5 mm)
Typeface(s): Basis Grotesque Medium (by Colophon)
Paper(s): Galerie Silk 350gsm, Edixion Offset 120gsm
Printers: Bishops Printers, Creative Services Centre & Big Stuff
Photography: Curtis Rayment
0077
BA Games Design & Art 2021
-
- 2021
- Blue
- BA Games Design & Art
- Identity system, E-invite, A-boards A1 (420 × 594 mm), Social media, Beer mats, Tote bags, Booklets
- Custom, Roobert Regular
- -
BA Games Design & Art 2021
Studio 3015 designed the identity system for BA Games Design’s 2021 exhibition that showcased the thinking and ideas that culminated in three years of study on the programme at Winchester School of Art (University of Southampton). The students created a product which not only spoke to players, but which showcased a range of skills and ability in addition to communicating an idea and experience through great design.
Pitch/Presentation
#: 0077
Year: 2021
Colour(s): Blue
Client(s): BA Games Design & Art
Deliverable(s): Identity system, E-invite, A-boards A1 (420 × 594 mm), Social media, Beer mats, Tote bags, Booklets
Printers: Hambleside Merchandise, Bishops Printers & Big Stuff
0076
MA Degree Show 2021
-
- 2021
- OrangeGrey
- Winchester School of Art, MA Fine Art, MA Fashion Design, MA Contemporary Curation, MA Luxury Brand Management, MA Textile Design & Communication Design
- A-boards A1 (420 × 594 mm), E-invite, Maps A5 (148 × 210 mm), Social media
- Apercu Mono (by Colophon), Modelo Regular (by Maximage)
- Galerie Silk 350gsm, Maxi Offset 180gsm
MA Degree Show 2021
Studio 3015 produced an identity system for Winchester School of Art’s MA Degree Show in 2021 that explored the idea of connectivity, process and experimentation through using the typeface ‘Modelo’, a type design consisting of combined forms & shapes.
Pitch/Presentation
#: 0076
Year: 2021
Client(s): Winchester School of Art, MA Fine Art, MA Fashion Design, MA Contemporary Curation, MA Luxury Brand Management, MA Textile Design & Communication Design
Deliverable(s): A-boards A1 (420 × 594 mm), E-invite, Maps A5 (148 × 210 mm), Social media
Typeface(s): Apercu Mono (by Colophon), Modelo Regular (by Maximage)
Paper(s): Galerie Silk 350gsm, Maxi Offset 180gsm
Printers: Bishops Printers & Creative Services Centre
0075
The Winchester Gallery: Film Series
-
- 2021
- GreyGrey
- The Winchester Gallery, Winchester School of Art
- Posters A3 (420 × 297 mm)
- Oracle Book (by ECAL Typefaces)
- Maxi Offset 180gsm
The Winchester Gallery: Film Series
Studio 3015 designed a collection of posters for The Winchester Gallery’s Film Series in 2021. These exhibitions sampled twenty years of film-based innovation directed towards geographical and post-industrial histories; across six works it addresses themes of personal mythology, the vulnerabilities of human interaction, and the persistence of community, through filters of anthropology, romanticism and confrontation.
#: 0075
Year: 2021
Client(s): The Winchester Gallery, Winchester School of Art
Deliverable(s): Posters A3 (420 × 297 mm)
Typeface(s): Oracle Book (by ECAL Typefaces)
Paper(s): Maxi Offset 180gsm
0074
Telephonic Youth
-
- 2021
- Grey
- John Hansard Gallery, BT Heritage & Archives, Dr Eve Colpus
- Logo, Social media
- Muli Bold, Bold Italic, Semi Bold, Regular and Italic (by Typetype), Open Sans Bold, Bold Italic, Regular, Semi Bold and Italic (by Typetype), Galapagos (by abcDinamo)
- -
Telephonic Youth
A logo that embodies the first historical study of young people’s telephone use in modern Britain, covering the period c.1984-1999. Through combining archival research, oral history research and research with community participants and in contemporary youth contexts, it will investigate young people’s access (and restrictions) to using telephones in this era, incorporating the landline, public telephone and mobile phone.
The aim was to examine the significance of telephones in diverse facets of young people’s lives, including in play cultures; leisure; the construction of home; mediation of family life and friendships; the assertion of fashionable identities; as an educational tool; in the workplace; and for locating advice and help. In doing so, the research traced how young people’s telephone use has been historically at the heart of debates over the meanings of privacy, protection, dependency, and social inequality. A core goal was also to stimulate public participation in the production of this history, through research activities with adults (collecting childhood memories about phone use) and with young people and families exploring historical contexts and their implications for questions of youth agency today.
Pitch/Presentation
#: 0074
Year: 2021
Colour(s): Grey
Client(s): John Hansard Gallery, BT Heritage & Archives, Dr Eve Colpus
Deliverable(s): Logo, Social media
Typeface(s): Muli Bold, Bold Italic, Semi Bold, Regular and Italic (by Typetype), Open Sans Bold, Bold Italic, Regular, Semi Bold and Italic (by Typetype), Galapagos (by abcDinamo)
0073
Lust Longing Love
-
- 2021
- Grey
- Sue Williams, Marilyn Allen, Winchester School of Art
- Publications 270 × 200 mm
- Cormorant Garamond (by Google Fonts), Roboto (by Google Fonts)
- -
Lust Longing Love
Lust Longing Love is the result of an ongoing conversation between artists Sue Williams and Marilyn Allen from which a series of critical questions relating to gender and identity emerge. Each page formulates a visual and textual discussion where issues of power and performativity are negotiated. The wilful voices of Williams and Allen are never opposed but rather offer different perspectives on what it is to live as a ‘woman’ in the 21st Century.
Williams’ images are simultaneously endearing and confrontational and articulate the complexities of human relationships in a contemporary cultural context. Williams’ autoethnographic practice, using both visual and textual gestures, demonstrates a vulnerability which invariably elicits an affective response from its audience.
In this book Williams’ visceral voice is in conversation with Allen’s playful objectivity. The narratives generated challenge the classification and codification of gender norms, serving to disrupt the legacy of heterosexual romanticism. The voices of the book’s two protagonists are identifiable by typeface; Williams’ autoethnographic voice is expressed through the artist’s handwritten musings while Allen’s cultural critique appears in an austere type suggestive of a journalistic aesthetic.
Lust Longing Love is the result of a series of collaborative provocations and responses generated between Williams and Allen via email over a period of twelve months. This sustained conversation provided a space where personal and cultural narratives could coexist to enable a multifaceted discourse on cultural meanings inscribed and imposed upon the female body.
#: 0073
Year: 2021
Colour(s): Grey
Client(s): Sue Williams, Marilyn Allen, Winchester School of Art
Deliverable(s): Publications 270 × 200 mm
Typeface(s): Cormorant Garamond (by Google Fonts), Roboto (by Google Fonts)
ISBN: 978-1-9160411-4-1
Binding: Saddle stitched
Printers: PurePrint Group
0072
The Winter Tree
The Winter Tree
Studio 3015 produced a booklet that supported Winchester-based artist Andrew Carnie’s exhibition at City Space in Winchester Discovery Centre, an event which offered new insights into neurological fields and the wider area of dendritic form, asking: How do we understand our sense of self and the way we relate to the world we are born into?
The exhibition was based on two projected works, amongst others:
Here There Everywhere, The Winter Tree (4 Channel HD Video) and As Things Come To Pass (2 Channel HD Video)
#: 0072
Year: 2021
Colour(s): Grey
Client(s): Winchester School of Art, Andrew Carnie
Deliverable(s): Booklets A5 (148 × 210 mm)
0071
Colonial Caballo
-
- 2021
- Grey
- The Winchester Gallery, Sarah Farman
- Posters A3 (420 × 297 mm), A-boards A1 (420 × 594 mm), E-invite, Animation, Vinyl, Booklets A5 (148 × 210 mm)
- Oracle Book and Mono (by abcDinamo)
- Munken 170gsm (by G.F. Smith)
Colonial Caballo
Spanish Mustang: Contested Icon of the American West
Studio 3015 designed promotional assets for Colonial Caballo - an exhibition of paintings and installation with a book of responses to the decade spent by Sarah Farman in the American West.
Using the gallery’s brand guidelines, the studio helped to convey Farman’s social history project on the Blackfeet reservation in northern Montana, where she first encountered Spanish Mustang horses. Direct descendants of the horses brought by the Spanish to the Americas in the sixteenth century, they have been honed by nature over five hundred years. The artwork in this show was, in part, a homage to the people and the horses, as well a narrative of experiences and enduring memories.
#: 0071
Year: 2021
Colour(s): Grey
Client(s): The Winchester Gallery, Sarah Farman
Deliverable(s): Posters A3 (420 × 297 mm), A-boards A1 (420 × 594 mm), E-invite, Animation, Vinyl, Booklets A5 (148 × 210 mm)
Paper(s): Munken 170gsm (by G.F. Smith)
Printers: Creative Services Centre & Big Stuff
Photography: Dave Gibbons
0070
SIAH
-
- 2021
- Grey
- Southampton Institute of Arts & Humanities, University of Southampton, Dr Eve Colpus
- Logo
- Roboto (by Google Fonts)
- -
SIAH
Southampton Institute of Arts & Humanities
A coropoate and kinetic logo for Dr Eve Colpus representing the Southampton Institute of Arts & Humanities following its launch in November 2020.
#: 0070
Year: 2021
Colour(s): Grey
Client(s): Southampton Institute of Arts & Humanities, University of Southampton, Dr Eve Colpus
Deliverable(s): Logo
Typeface(s): Roboto (by Google Fonts)
0069
WSA x WFW Fashion Week
-
- 2021
- Grey
- BA Fashion Design
- A-boards A1 (420 × 594 mm), Tote bags, Signage, Vinyl, Website, Running orders A4 (297 × 210 mm)
- Arsenica
- -
WSA x WFW Fashion Week
Studio 3015 partnered with ReBurberry to create a design language for Winchester Fashion Week. The visuals were inspired by ongoing conversations with Fashion students at the Winchester School of art. We tried to capture the relationship between traditional design and contemporary practice, by creating a brand identity that could work across exhibitions, workshops, digital and print design.
Pitch/Presentation
#: 0069
Year: 2021
Colour(s): Grey
Client(s): BA Fashion Design
Deliverable(s): A-boards A1 (420 × 594 mm), Tote bags, Signage, Vinyl, Website, Running orders A4 (297 × 210 mm)
Typeface(s): Arsenica
Printers: Creative Services Centre & Big Stuff
Photography: Curtis Rayment
0068
Prospectus 2020
-
- 2020
- GreenCyanOrange
- Winchester School of Art
- Prospectus 167 × 240 mm, Tote bags, Notebooks A5 (148 × 210 mm), Booklets A5 (148 × 210 mm)
- DIN Bold and Regular (by Albert-Jan Pool)
- Munken Polar Crisp White Smooth 240gsm, Cyclus Offset 120gsm
Prospectus 2020
Working with the University of Southampton’s brand guidelines, Studio 3015 designed Winchester School of Art’s prospectus in 2020.
#: 0068
Year: 2020
Client(s): Winchester School of Art
Deliverable(s): Prospectus 167 × 240 mm, Tote bags, Notebooks A5 (148 × 210 mm), Booklets A5 (148 × 210 mm)
Typeface(s): DIN Bold and Regular (by Albert-Jan Pool)
Paper(s): Munken Polar Crisp White Smooth 240gsm, Cyclus Offset 120gsm
Printers: PurePrint Group
0067
MA Work In Progress Show 2020
-
- 2020
- RedBlue
- MA Fashion Design, MA Textile Design & Communication Design, Winchester School of Art, MA Fine Art, MA Contemporary Curation
- A-boards A1 (420 × 594 mm), E-invite, Social media, Posters A3 (420 × 297 mm), Animation, Vinyl
- Fugue Headline and Regular (by Radim Pesko for Radim Pesko Foundry)
- -
MA Work In Progress Show 2020
Studio 3015 designed the identity system for Winchester School of Art’s MA Work In Progress Show in 2020, inspired by the fabrics and tools that were left behind the studio & workshop spaces on campus.
#: 0067
Year: 2020
Client(s): MA Fashion Design, MA Textile Design & Communication Design, Winchester School of Art, MA Fine Art, MA Contemporary Curation
Deliverable(s): A-boards A1 (420 × 594 mm), E-invite, Social media, Posters A3 (420 × 297 mm), Animation, Vinyl
Typeface(s): Fugue Headline and Regular (by Radim Pesko for Radim Pesko Foundry)
Printers: Creative Services Centre
Photography: Curtis Rayment
0066
Alternate
-
- 2020
- YellowBlueMagenta
- BA Graphic Arts
- Catalogues
- Neue Haas Grotesk Medium
- Cocoon Offset 100% Recycled 120gsm and 250gsm
Alternate
BA Graphic Arts 2020
Alternate showcased the work of Winchester School of Art’s BA Graphic Arts 2020 students, highlighting how three years of study has resulted in the different practices, processes, ideas and visuals across the programme’s pathways of Graphic Design, Motion Design, Photography and Illustration.
Designed alongside students, Studio 3015 produced a catalogue to which followed the colour block system - a concept where each of the rectangular sizes reflected upon the amount of students in each pathway.
Pitch/Presentation
#: 0066
Year: 2020
Client(s): BA Graphic Arts
Deliverable(s): Catalogues
Typeface(s): Neue Haas Grotesk Medium
Paper(s): Cocoon Offset 100% Recycled 120gsm and 250gsm
0065
WSAD
-
- 2020
- GreenGrey
- BA Games Design & Art
- Identity system, Catalogues 140 × 200 mm, Booklets 100 × 140 mm, Vinyl, Website, AR cards
- Brown Regular (by Lineto), Umbuntu Light (by Google Fonts)
- Nautilus Superwhite 120gsm, Artic Munken 115gsm
WSAD
BA Games Design 2020
Studio 3015 designed an end of year catalogue to launch BA Games Design’s London exhibition in 2020. We worked closely with a team of students and course leader Adam Procter to deliver a physical and digital book showcasing group work from their cohort.
Pitch/Presentation
#: 0065
Year: 2020
Client(s): BA Games Design & Art
Deliverable(s): Identity system, Catalogues 140 × 200 mm, Booklets 100 × 140 mm, Vinyl, Website, AR cards
Typeface(s): Brown Regular (by Lineto), Umbuntu Light (by Google Fonts)
Paper(s): Nautilus Superwhite 120gsm, Artic Munken 115gsm
Printers: PurePrint Group
Binding: Perfect bound
0064
BA Fashion & Textiles Design Catalogues 2020
-
- 2020
- Grey
- BA Fashion Design, BA Textile Design
- Catalogues 265 × 165 mm
- Apfel Grotesk Brukt, Apfel Grotesk Regular, Whyte Inktrap (by abcDinamo)
- Recycled Offset 120gsm (by G.F. Smith), Recycled Offset 180gsm (by G.F. Smith)
BA Fashion & Textiles Design Catalogues 2020
The BA Fashion & Textiles Design Catalogues in 2020 were a response to the theme of sustainability. Using Apfel Brukt, a typeface choice that uses less 18% less ink when printing due to its letter design by piercing each glyph in the blackest of points, Studio 3015 designed the catalogues to additionally be printed on Eco White, an eco friendly tactile paper choice that we have in house whilst using printing methods either 4 Colour and Riso Printing.
#: 0064
Year: 2020
Colour(s): Grey
Client(s): BA Fashion Design, BA Textile Design
Deliverable(s): Catalogues 265 × 165 mm
Typeface(s): Apfel Grotesk Brukt, Apfel Grotesk Regular, Whyte Inktrap (by abcDinamo)
Paper(s): Recycled Offset 120gsm (by G.F. Smith), Recycled Offset 180gsm (by G.F. Smith)
Printers: Print Centre, University of Southampton
Photography: Toby Wells
0063
Safe Spaces Soton
-
- 2021
- YellowGrey
- John Hansard Gallery, University of Southampton
- Logo, Vinyl
- Custom (by Thomas Mcgrath), Space Grotesk Regular
- -
Safe Spaces Soton
John Hansard Gallery, in partnership with Skate Southampton, presents Safe Spaces Soton. This initiative sought to encourage the reactivation of seemingly forgotten ‘in-between’ areas of the city, aiming to stir community imagination towards the reclamation of dormant civic spaces.
Studio 3015 invited Southampton photographer Luke Shears to take photographs of the local area and have placed these images inside and outside of community spaces in Northam, St. Mary’s and Guildhall Square.
#: 0063
Year: 2021
Client(s): John Hansard Gallery, University of Southampton
Typeface(s): Custom (by Thomas Mcgrath), Space Grotesk Regular
Photography: Luke Shears
Printers: Big Stuff
0062
WSA 150
-
- 2020
- Green
- Winchester School of Art, University of Southampton
- Identity system, Vinyl, Logo, Social media, Vinyl, Website, Flags, Posters A2 (420 × 594 mm), Postcards A6 (105 × 148.5 mm), Booklets A5 (148 × 210 mm), Flyers A4 (297 × 210 mm)
- DIN Light (by Albert-Jan Pool for Adobe Fonts), Freight Book and Bold (by Joshua Darden for Garage Fonts)
- Edixion Offset 170gsm (by Antalis)
WSA 150
Studio 3015 designed a visual system that extended the current branding into a stand alone identity to celebrate 150 years of Winchester School of Art. Specifically, using the University of Southampton’s brand typefaces and colours with the addition of a special colour to complement the rich and vibrant heritage of the school.
#: 0062
Year: 2020
Colour(s): Green
Client(s): Winchester School of Art, University of Southampton
Deliverable(s): Identity system, Vinyl, Logo, Social media, Vinyl, Website, Flags, Posters A2 (420 × 594 mm), Postcards A6 (105 × 148.5 mm), Booklets A5 (148 × 210 mm), Flyers A4 (297 × 210 mm)
Typeface(s): DIN Light (by Albert-Jan Pool for Adobe Fonts), Freight Book and Bold (by Joshua Darden for Garage Fonts)
Paper(s): Edixion Offset 170gsm (by Antalis)
Printers: Big Stuff & Print Centre, University of Southampton
Photography: Dave Gibbons
0061
iPIC
-
- 2020
- GreyRedGreen
- iPIC Research Group
- Logo, Identity system, Social media
- Roboto Medium, Italic, Regular, Light and Medium Italic (by Typetype)
- -
iPIC
A logo & identity system for iPIC Research Group which responded to their continued investigation into the link between politics, identities and cultures from a variety of disciplines and from an intersectional perspective.
Pitch/Presentation
#: 0061
Year: 2020
Client(s): iPIC Research Group
Deliverable(s): Logo, Identity system, Social media
Typeface(s): Roboto Medium, Italic, Regular, Light and Medium Italic (by Typetype)
0060
The Derek Hill Collection
-
- 2020
- Grey
- Derek Hill, BA Fine Art, The Winchester Gallery
- A-boards A1 (420 × 594 mm), E-invite, Posters A3 (420 × 297 mm), Vinyl
- Oracle Book and Mono (by abcDinamo)
- Munken 170gsm (by G.F. Smith)
The Derek Hill Collection
Transcription Project
Studio 3015 designed promotional material for the first collaborative outcome of an informal relationship between WSA Fine Art and the Derek Hill Collection of twentieth-century art at Mottisfont, National Trust, near Romsey. The exhibition consisted of transcriptions of selected works from the collection.
#: 0060
Year: 2020
Colour(s): Grey
Client(s): Derek Hill, BA Fine Art, The Winchester Gallery
Deliverable(s): A-boards A1 (420 × 594 mm), E-invite, Posters A3 (420 × 297 mm), Vinyl
Paper(s): Munken 170gsm (by G.F. Smith)
Printers: Big Stuff
0059
Tactically Absurd
-
- 2020
- Grey
- The Winchester Gallery
- A-boards A1 (420 × 594 mm), Posters A3 (420 × 297 mm), E-invite, Vinyl
- Oracle Book and Mono (by abcDinamo)
- Munken 170gsm (by G.F. Smith)
Tactically Absurd
Dave Ball
Studio 3015 designed promotional material for Tactically Absurd, an event that brought together three thematically-diverse projects by Dave Ball that embodied a particular approach to post-conceptual art practice. The works deployed what the artist refers to in his practice-based PhD research at Winchester School of Art as the device of ‘tactical absurdity’.
Less a recognisable style or tenor than a conceptual tool, tactical absurdity is a means of engaging with a given context that deliberately fails to make sense. By disrupting, destabilising or circumventing conventional paths into meaningfulness, the works in the exhibition operated through an indeterminacy that is both generative and critical.
#: 0059
Year: 2020
Colour(s): Grey
Client(s): The Winchester Gallery
Deliverable(s): A-boards A1 (420 × 594 mm), Posters A3 (420 × 297 mm), E-invite, Vinyl
Paper(s): Munken 170gsm (by G.F. Smith)
Printers: Big Stuff
0058
Winchester Design Festival
-
- 2019
- Grey
- Winchester School of Art, Winchester Design Festival
- Identity system, Logo
- Circular Regular (by Lineto)
- -
Winchester Design Festival
A logo and social media campaign for Winchester Design Festival - an event that highlights the local design community. Typographically-led, Studio 3015 designed a system that saw an introduction of contemporary shape as well as colour which would later partner with the Children’s Design Week.
Pitch/Presentation
#: 0058
Year: 2019
Colour(s): Grey
Client(s): Winchester School of Art, Winchester Design Festival
Deliverable(s): Identity system, Logo
0057
Open Day Programme 2019
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- 2019
- GreyBlue
- Winchester School of Art
- Booklets A5 (148 × 210 mm)
- DIN Regular and Bold (by Albert-Jan Pool)
- -
Open Day Programme 2019
Working with the University of Southampton’s brand guidelines, Studio 3015 designed an Open Day programme that introduced new students to the WSA campus, it’s internal faculties and surrounding spaces in Winchester.
#: 0057
Year: 2019
Client(s): Winchester School of Art
Deliverable(s): Booklets A5 (148 × 210 mm)
Typeface(s): DIN Regular and Bold (by Albert-Jan Pool)
0056
Prospectus 2019
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- 2019
- BlueCyanOrange
- Winchester School of Art
- Prospectus 167 × 240 mm
- DIN Bold and Regular (by Albert-Jan Pool)
- Munken Polar Crisp White Smooth 240gsm, Cyclus Offset 120gsm
Prospectus 2019
Working with the University of Southampton’s brand guidelines, Studio 3015 designed Winchester School of Art’s prospectus in 2019.
#: 0056
Year: 2019
Client(s): Winchester School of Art
Deliverable(s): Prospectus 167 × 240 mm
Typeface(s): DIN Bold and Regular (by Albert-Jan Pool)
Paper(s): Munken Polar Crisp White Smooth 240gsm, Cyclus Offset 120gsm
Printers: PurePrint Group
0055
Come and go
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- 2019
- MagentaGrey
- The Winchester Gallery
- Identity system, Booklets A5 (148 × 210 mm), Posters A2 (420 × 594 mm), Vinyl, Animation
- Oracle Book and Medium (by abcDinamo)
- Munken 170gsm (by G.F. Smith)
Come and go
Halt extreme left
Studio 3015 designed the identity system for Come and go, an exhibition that theatricalised the functional dimensions of our constructed environments: partitions, curtain walls, windows, floors and other components. The seven artists in this exhibition brought their distinct material practices and individual perspectives. The cross currents form spatial choreographies that enfold the gallery space into the exhibition with space activated on multiple levels in individual works and across works. The work sought to draw the spectator in as participant or actor caught within overlapping and circuitous architectures that played on the notion of theatre with its temporal scene changes, spatial layering, continuities and discontinuities.
#: 0055
Year: 2019
Client(s): The Winchester Gallery
Deliverable(s): Identity system, Booklets A5 (148 × 210 mm), Posters A2 (420 × 594 mm), Vinyl, Animation
Paper(s): Munken 170gsm (by G.F. Smith)
Printers: Print Centre, University of Southampton
0054
MA Degree Show 2019
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- 2019
- GreenYellow
- Winchester School of Art
- Identity system, A-boards A1 (420 × 594 mm), E-invite, Signage, Booklets A5 (148 × 210 mm), Vinyl, Posters A2 (420 × 594 mm)
- -
- Edition Offset 120gsm, Edixion Offset 170gsm
MA Degree Show 2019
Studio 3015 designed the identity system for Winchester School of Art’s MA Degree Show in 2019. This was a continuation from the BA Degree Show (Create Curate) but incorporated a seperate tone alongside refined glyphs for the perception of a unique, stand-alone event as well as continuity.
#: 0054
Year: 2019
Client(s): Winchester School of Art
Deliverable(s): Identity system, A-boards A1 (420 × 594 mm), E-invite, Signage, Booklets A5 (148 × 210 mm), Vinyl, Posters A2 (420 × 594 mm)
Paper(s): Edition Offset 120gsm, Edixion Offset 170gsm
Printers: Culverlands
0053
Luxury Consumption
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- 2019
- Orange
- Dr Yasmin K Sekhon
- Postcards A6 (105 × 148.5 mm), Booklets A5 (148 × 210 mm)
- DIN Regular (by Albert-Jan Pool)
- -
Luxury Consumption
Working with the University of Southampton’s brand guidelines, Studio 3015 designed A6 postcards and supporting handouts for Dr Yasmin K Sekhon as part of an exploration to further the relationship between children, luxury consumption and well-being in the digital era.
#: 0053
Year: 2019
Colour(s): Orange
Client(s): Dr Yasmin K Sekhon
Deliverable(s): Postcards A6 (105 × 148.5 mm), Booklets A5 (148 × 210 mm)
Typeface(s): DIN Regular (by Albert-Jan Pool)
Printers: Bishops Printers
0052
Other Forms
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- 2019
- RedGrey
- BA Graphic Arts
- Catalogues A5 (148 × 210 mm), Identity system, A-boards, Animation, Social media
- Work Sans (by Google Fonts)
- Maxi Offset 130gsm (by Antalis)
Other Forms
BA Graphic Arts 2019
Working with BA Graphic Arts students, Studio 3015 supported the design of the identity system for Other Forms, an exhibition for BA Graphic Arts in 2019 which responded to how the four pathways (Graphic Design, Motion Design, Photography & Illustration) formulate variable forms/matter that intersect one-another.
#: 0052
Year: 2019
Client(s): BA Graphic Arts
Deliverable(s): Catalogues A5 (148 × 210 mm), Identity system, A-boards, Animation, Social media
Typeface(s): Work Sans (by Google Fonts)
Paper(s): Maxi Offset 130gsm (by Antalis)
Printers: UNICUM
0051
Edition 2019
-
- 2019
- GreyYellowMagenta
- Winchester School of Art
- Workshops, Booklets A5 (148 × 210 mm), Posters A3 (420 × 297 mm), Signage, Social media
- Univers Bold and Light (by Adrian Frutiger for Linotype), Garamond Regular and Italic (by OpenType)
- Munken 170gsm (by G.F. Smith)
Edition 2019
Risograph Workshop
A workshop, hosted by Studio 3015, exploring colour seperation processes using the Risograph to produce posters, featuring Jan van Huysum’s ‘Dutch - Vase of Flowers’. Supporting this, marketing material (including posters and a booklet) was produced to induct students.
#: 0051
Year: 2019
Client(s): Winchester School of Art
Deliverable(s): Workshops, Booklets A5 (148 × 210 mm), Posters A3 (420 × 297 mm), Signage, Social media
Typeface(s): Univers Bold and Light (by Adrian Frutiger for Linotype), Garamond Regular and Italic (by OpenType)
Paper(s): Munken 170gsm (by G.F. Smith)
Binding: Saddle stitched
0050
Current Vision
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- 2019
- Magenta
- BA Textile Design, BA Fashion Design
- E-invite, Vinyl, Posters A3 (420 × 297 mm), Running orders, Invitations A5 (148 × 210 mm), Booklets A5 (148 × 210 mm), Stickers
- Founders Grotesk Bold, Regular and Italic (by Klim)
- Recycled Offset 350gsm and 120gsm
Current Vision
BA Fashion & Textile Design 2019
Current Vision is the identity system representing BA Fashion & Textiles Design in 2019, inspired by sustainability and vision using a recycled cover stock. Further key words included; Perception, Innovation, Creativity & Imagination.
Pitch/Presentation
#: 0050
Year: 2019
Colour(s): Magenta
Client(s): BA Textile Design, BA Fashion Design
Deliverable(s): E-invite, Vinyl, Posters A3 (420 × 297 mm), Running orders, Invitations A5 (148 × 210 mm), Booklets A5 (148 × 210 mm), Stickers
Typeface(s): Founders Grotesk Bold, Regular and Italic (by Klim)
Paper(s): Recycled Offset 350gsm and 120gsm
Printers: Culverlands & Print Centre, University of Southampton
0049
Check Point
-
- 2018
- Purple
- BA Games Design & Art, Winchester School of Art
- Posters A3 (420 × 297 mm), A-boards A1 (420 × 594 mm), Vinyl, E-invite, Catalogues 250 × 170 mm, Tote bags
- TT Firs Neue Regular and Light (by Ivan Gladkikh, Philipp Nurullin, Vika Usmanova, Marina Khodak, Nadyr Rakhimov and Victor Rubenko for Typetype)
- iprint Digital Uncoated (fsc4) 260gsm and 120gsm (by Argowiggins Creative Papers), Popset Grey 120gsm, Popset Cloud 120gsm (by Argowiggins Creative Papers)
Check Point
BA Games Design 2019
Check Point Saved is the identity system for BA Games Design & Art in 2018, where Studio 3015 illustrated the idea of a final check point to save. Reflecting upon the work of recent graduates over their 3 years of studying.
This publication showcased the thinking and ideas that have culminated in three years of study and the final year of research and production which went into creating complete games. The students created a product which not only spoke to players, but which showcased a range of skills and ability in addition to communicating an idea and experience through great design. Included in the publication were a series of short essays, written by each student, which critically evaluated current theory and current game practices in conjunction with their own game-making; be that cultural inclusivity, diversity and representation in games, hidden design, crowd-funding culture and game fundamentals such as the role of great visual design. This interplay between the cultural landscape of games and the process of making is something we deeply embed in our programme. The industry as we know it is evolving and game designers will have roles within a host of organisations and businesses which don’t even know they need game designers, be that via gamification, playful thinking and more.
Pitch/Presentation
#: 0049
Year: 2018
Colour(s): Purple
Client(s): BA Games Design & Art, Winchester School of Art
Deliverable(s): Posters A3 (420 × 297 mm), A-boards A1 (420 × 594 mm), Vinyl, E-invite, Catalogues 250 × 170 mm, Tote bags
Typeface(s): TT Firs Neue Regular and Light (by Ivan Gladkikh, Philipp Nurullin, Vika Usmanova, Marina Khodak, Nadyr Rakhimov and Victor Rubenko for Typetype)
Paper(s): iprint Digital Uncoated (fsc4) 260gsm and 120gsm (by Argowiggins Creative Papers), Popset Grey 120gsm, Popset Cloud 120gsm (by Argowiggins Creative Papers)
Printers: PurePrint Group
Binding: Spiral Bound with Lilac
0048
MA Work In Progress Show 2019
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- 2019
- MagentaMagenta
- MA Fashion Design, MA Textile Design & Communication Design, Winchester School of Art
- Identity system, A-boards A1 (420 × 594 mm), Social media, Invitations A5 (148 × 210 mm), Animation, Vinyl
- Fugue Headline, Mono and Regular (by Radim Pesko for Radim Pesko Foundry)
- -
MA Work In Progress Show 2019
Winchester School of Art’s MA Work In Progress Show in 2019 was a visual representation of physical process and production admist a playful, experimental colour palette.
#: 0048
Year: 2019
Client(s): MA Fashion Design, MA Textile Design & Communication Design, Winchester School of Art
Deliverable(s): Identity system, A-boards A1 (420 × 594 mm), Social media, Invitations A5 (148 × 210 mm), Animation, Vinyl
Typeface(s): Fugue Headline, Mono and Regular (by Radim Pesko for Radim Pesko Foundry)
Printers: Creative Services Centre & Print Centre, University of Southampton
0047
Create Curate
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- 2019
- BlueOrange
- Winchester School of Art
- Invitations, E-invite, Posters A2 (420 × 594 mm), Maps A5 (148 × 210 mm), Tote bags
- Ginto Nord Regular and Medium (by abcDinamo)
- Cocoon Offset 100% Recycled 350gsm and 120gsm (by Antalis)
Create Curate
Studio 3015 designed the identity system for Winchester School of Art’s BA Degree Show in 2019. Create Curate was inspired by the process of research parallel with practical making at Winchester School of Art. Informed by process, the system intended to showcase the creation and presentation of artwork whilst encouraging students to learn how to present their work to a high standard to make them into more rounded practitioners. Supporting by a playful typeface, Create Curate further reflected the liberal environment of an art school that pushes application whilst emphasised by repetition.
Pitch/Presentation
#: 0047
Year: 2019
Client(s): Winchester School of Art
Deliverable(s): Invitations, E-invite, Posters A2 (420 × 594 mm), Maps A5 (148 × 210 mm), Tote bags
Typeface(s): Ginto Nord Regular and Medium (by abcDinamo)
Paper(s): Cocoon Offset 100% Recycled 350gsm and 120gsm (by Antalis)
Finishing: Deboss
Printers: Culverlands
Suppliers: Hambleside, Carolina Cotton Tote Bag, Orange, Screenprinted in White
0046
The Laboratory of Dissent
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- 2019
- RedGrey
- The Winchester Gallery
- A-boards A1 (420 × 594 mm), Animation, Identity system, Postcards A5 (148 × 210 mm), Signage, Posters A3 (420 × 297 mm), E-invite
- Oracle Book and Mono (by abcDinamo), Arsenica (by Zeta Fonts)
- Munken 170gsm (by G.F. Smith), Edixion Offset 170gsm (by Antalis)
The Laboratory of Dissent
Inside/Outside
An experimental project which investigated alternatives, test ideas and invite interaction alongside Chapel Arts Studios to explore how dissent might be a creative and constructive response to difference. Studio 3015 produced promotional material for the event that was additionally a critique of social assumptions, political norms, performative, conversational art experiments, pop-up exhibitions, performances and provocations at Winchester School of Art.
Pitch/Presentation
#: 0046
Year: 2019
Client(s): The Winchester Gallery
Deliverable(s): A-boards A1 (420 × 594 mm), Animation, Identity system, Postcards A5 (148 × 210 mm), Signage, Posters A3 (420 × 297 mm), E-invite
Typeface(s): Oracle Book and Mono (by abcDinamo), Arsenica (by Zeta Fonts)
Paper(s): Munken 170gsm (by G.F. Smith), Edixion Offset 170gsm (by Antalis)
Photography: Curtis Rayment & Dave Gibbons
Printers: Big Stuff & Print Centre, University of Southampton
0045
Tate Exchange: Itinerant Objects
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- 2019
- Grey
- Tate, The Winchester Gallery
- Invitations A5 (148 × 210 mm), Identity system, Posters A3 (420 × 297 mm)
- Oracle Book and Medium (by abcDinamo)
- Munken 170gsm (by G.F. Smith)
Tate Exchange: Itinerant Objects
Studio 3015 produced a series of promotional assets for Itirenant Objects - a series of events as part of the Tate Exchange, an annual programme that brings together international artists, over 60 partners who work within and beyond the arts, and you. A journey of discovery into the different ways that art has become active over the last 60 years and how artists have changed our understanding of what art can be and what it can do.
#: 0045
Year: 2019
Colour(s): Grey
Client(s): Tate, The Winchester Gallery
Deliverable(s): Invitations A5 (148 × 210 mm), Identity system, Posters A3 (420 × 297 mm)
Paper(s): Munken 170gsm (by G.F. Smith)
0044
Reveal / Conceal
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- 2019
- OrangeOrange
- BA Graphic Arts, Studio 3015, Winchester School of Art
- Catalogues, Workshops, Social media, Website
- Haylard Display (by Darden Studios)
- Skin Black 270gsm (by Antalis), Cocoon Gloss 150gsm (by Antalis), Popset 120gsm (by Antalis)
Reveal / Conceal
Reveal / Conceal was an online exhibition that showcased the work from a collaborative project between Year 3 BA (Hons) Graphic Arts students at Winchester School of Art and Antalis paper and packaging.
Using PowerCoat papers and labels, which utilise NFC (Near Field Communication) technology to connect paper products to digital outcomes via smartphones, students were asked to communicate ideas, information or messages around the theme of Reveal / Conceal.
Directed by Studio 3015, students were encouraged to challenge the inherent tactile and visual properties of paper with the interactive qualities of digital technology but in a highly relevant, meaningful and integrated manner by treating print and digital equally.
#: 0044
Year: 2019
Client(s): BA Graphic Arts, Studio 3015, Winchester School of Art
Deliverable(s): Catalogues, Workshops, Social media, Website
Typeface(s): Haylard Display (by Darden Studios)
Paper(s): Skin Black 270gsm (by Antalis), Cocoon Gloss 150gsm (by Antalis), Popset 120gsm (by Antalis)
Printers: Creative Services Centre
0043
Seeing Degree Zero
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- 2019
- Grey
- Roland Barthes, Victor Burgin, John Hansard Gallery
- Publications
- Old Style Regular (by Studio 3015), Foundry Sans Bold, Bold Italic, Italic, Medium and Regular (by OpenType)
- -
Seeing Degree Zero
In the fields of literature and the visual arts, zero degree represents a neutral aesthetic situated in response to and outside of the dominant cultural order. Taking Roland Barthes’ Writing Degree Zero as just one starting point, this volume provides an historical, theoretical and visual examination of the term and draws directly upon the editors’ on-going collaboration with artist and writer Victor Burgin.
The book is composed of key chapters by the editors themselves and Burgin. It includes an in-depth dialogue regarding Burgin’s long-term reading of Barthes and a lengthy image-text, offering critical exploration of the Image (in echo of earlier theories of the Text). Also included are translations of two projection works by Burgin, Belledonne and Prairie, which work alongside and inform the collected essays. Overall, the book provides a combined reading of both Barthes and Burgin, which in turn leads to new considerations of visual culture, the spectatorship of art and the political aesthetic.
#: 0043
Year: 2019
Colour(s): Grey
Client(s): Roland Barthes, Victor Burgin, John Hansard Gallery
Deliverable(s): Publications
Typeface(s): Old Style Regular (by Studio 3015), Foundry Sans Bold, Bold Italic, Italic, Medium and Regular (by OpenType)
Publisher: Edinburgh University Press
ISBN: 987-1-4744-3141-5
Copy Editors: Ryan Bishop & Sunil Manghani
With contributions from: Christine Berthin, Victor Burgin, Sean Cubitt, Gordon Hon, Kristen Kreider, James O’Leary and Domietta Torlasco
0042
Carnegie Library Journal
Carnegie Library Journal
The Carnegie Library Journal is a supporting asset to Noriko Suzuki-Bosco’s social art project that was conducted during her PhD study on libraries, artists’ books and social art practice. Working closely with Suzuki-Bosco, Studio 3015 designed the journal to record the plight of one public library in South East London and to support the library community’s campaign.
Pitch/Presentation
#: 0042
Year: 2019
Colour(s): Blue
Client(s): Noriko Suzuki-Bosco
Deliverable(s): Publications 240 × 170 mm
Paper(s): Munken 120gsm (by G.F. Smith)
Printers: Print Centre, University of Southampton
Binding: Saddle stitched
0041
