0116
MA Degree Show
-
- 2024
- BlueMagentaPurple
- Winchester School of Art
- A-boards A1 (420 × 594 mm), Tri-a-board, Banners, Maps, Vinyl, Wayfinding, Press releases, Animation
- GT Cinetype (by Grilli Type Foundry)
- -
MA Degree Show
An identity system for Winchester School of Art’s MA Degree Show in 2024, which was a continuation of the BA iteration as a nod towards the overall academic year, but for MA Contemporary Curating, MA Communication Design, MA Fashion Design, MA Textile Design and MA Fine Art.. For this cohort, we replaced two of the existing colours with a more Autumnal shift away from its predecessor as a way of retaining their individual notability as shows whilst reflecting on their seasonal placements.
By continuining the same visual language, the same principles of the design were maintained with the combination of subtle yet playful hints towards the many ‘cogs’/’wheels’ that are in motion when curating and installing a degree show. A core feature within this was the introduction to a custom arrow system – which we developed from an ongoing self-initiated typeface – that originally responded to the architectural foundations of Winchester School of Art. These arrows intended to reflect on the many creative avenues and career decisions that the graduates had undertaken during their studies. Placed within Rotunda-building-screw shapes, each component turned to convey the progression of graduates from education to industry alongside the resulting of forward-thinking outcomes. These outputs were further emulated in the constantly shifting colour borders to which repeatedly evolve based on each dimensional frame movement to culminate a vibrant visual language.
Further nods to Winchester School of Art’s functioning and visual presence were made by using GT Cinetype (from Grilli Type Foundry) based on its similarities to the Rotunda building, which extended the playfulness of the ident in correlation with the wider colourful borders and arrows that were applied across way-finding, social media assets alongside tote bags.
#: 0116
Year: 2024
Client(s): Winchester School of Art
Deliverable(s): A-boards A1 (420 × 594 mm), Tri-a-board, Banners, Maps, Vinyl, Wayfinding, Press releases, Animation
Typeface(s): GT Cinetype (by Grilli Type Foundry)
Photography: Toby Wells
Printers: Creative Services, Valley Graphics, Big Stuff
0115
Creative Thinkers
-
- 2024
- Yellow
- Winchester School of Art
- Publications 170 × 240 mm
- Fugue Regular (by Radim Pesko Foundry)
- Accent Recycled Natural White 120gsm (by G.F. Smith)
Creative Thinkers
Creative Thinkers is a carefully curated book that documents Winchester School of Art’s connections with industry, its wide range of talent, and its notable research projects. Our task was to collect, document, and organize images from across a single academic year in close collaboration with colleagues. We aimed to create an visually exciting item that reflects the diversity of student work, studio spaces, and ongoing collaborative work with notable cultural institutions. We also had to ensure that the book adhered to the existing brand guidelines, allowing it to be used in wider marketing campaigns while remaining a separate entity for long-term promotional use, representing the Design, Art & Fashion departments.
The open nature of this brief allowed us to experiment with print methods for the book, one of which was to include a playful gatefold within the cover to highlight the range of programs and accommodate six A6 postcards in a pocket sleeve. Additionally, we implemented a gatefold in the center of the inside pages to showcase the various collaborators associated with Winchester School of Art. The book was printed entirely on G.F Smith’s Accent Recycled stock, reflecting our focus on sustainability while emphasizing the tactile nature of the working environments that foster critical thinking with internal and external partners, including Tate, Fendi, and the Houses of Parliament, Parliamentary Archives.
#: 0115
Year: 2024
Colour(s): Yellow
Client(s): Winchester School of Art
Deliverable(s): Publications 170 × 240 mm
Typeface(s): Fugue Regular (by Radim Pesko Foundry)
Paper(s): Accent Recycled Natural White 120gsm (by G.F. Smith)
Intern: Alex Varty
Printers: Dayfold
0114
How to Draw a Bicycle
-
- 2024
- OrangeGreen
- The Winchester Gallery
- Vinyl, Tri-a-board, Labels
- Oracle Regular and Italic (by abcDinamo)
- -
How to Draw a Bicycle
An identity system for the interactive exhibition, ‘How to Draw a Bicycle’, which encouraged visitors to explore what cycling meant to them and their first memories of riding a bike through a series of drawing workshops at The Winchester Gallery.
To compliment the past work of the visiting speakers/hosts (Olivia Crawley, Joe Ross, Neil Wyatt & Nick Hand) alongside the repainted walls of the gallery space, we created a vibrant colour combination across interior and exterior way-finding.
#: 0114
Year: 2024
Client(s): The Winchester Gallery
Deliverable(s): Vinyl, Tri-a-board, Labels
Photography: Toby Wells
Printers: Creative Services
0113
Systems For
-
- 2024
- Blue
- BA Graphic Communication
- Animation, Artwork Labels, Social media, Vinyl, Catalogues
- Visual Medium and Regular (by AllCaps)
- Cyclus Offset 130gsm, Colorplan 350gsm (by G.F. Smith)
Systems For
BA Graphic Communication 2024
An identity system for BA Graphic Communication’s degree show in Winchester. Titled ‘Systems For’, we worked with Chemical Engineer & PhD student, Tom Savage across a series of workshops to utalise AI as part of a systematic viusal language which summarised the relationship between the cohort and advancing technological mediums. By assigning each student project with a visual image and a single word, we were able to generate an identity that summarised their system and the outcome using a custom microsite. Within this platform, we prompted each student for how human, natural, and mechanistic they believed their project to be. Then, we asked the AI to provide the same set of values between 0-100. These three parameters in turn controlled the size and location of text as it overlayed onto both the augmented visual and the original visual (now combined). Here, closer text in terms of location and size represented a level of similarity between how AI has determined a project to represented, and what it’s creator has intended.
Assembled and summarised into a catalogue and show, the collaborative relationship between the cohort and Tom’s customised AI system was further emphasised by merging contrasting elements in tactile practices (hinted by sustainable offset paperstocks, an earthy brown ‘accent’) with hyper-mechanical forms using pixelisation sequences alongside the incorporation of a pixelated display typeface, ‘Visual’ by AllCaps foundry. This mergence retained the emphasis of how AI was used at every stage as a tool to enhance the representation of the existing project. To not only determine an appropriate system, but to augment a project image whilst to raise questions about the intended interpretation.
Learn more about the collaboration here:
https://sav.phd/posts/systems_for/
Pitch/Presentation
#: 0113
Year: 2024
Colour(s): Blue
Client(s): BA Graphic Communication
Deliverable(s): Animation, Artwork Labels, Social media, Vinyl, Catalogues
Paper(s): Cyclus Offset 130gsm, Colorplan 350gsm (by G.F. Smith)
Special thanks to: Tom Savage
Printers: Dayfold, Creative Services, Valley Graphics, Big Stuff
Photography: Toby Wells
0112
BA Degree Show 2024
-
- 2024
- GreenOrangeYellow
- Winchester School of Art
- A-boards, Animation, E-invite, Banners, Identity system, Maps, Signage, Tote bags
- GT Cinetype Bold (by Grilli Type Foundry)
- -
BA Degree Show 2024
An identity system for Winchester School of Art’s BA Degree Show in 2024 that celebrated the cohort of students graduating from their studies and showcased their work from our six undergraduate programmes; BA Fashion Marketing with Management, BA Fashion Design, BA Fine Art, BA Games Design & Art, BA Graphic Arts and BA Textile Design.
For this year, we utalised a combination of subtle yet playful hints towards the many ‘cogs’/’wheels’ that are in motion when curating and installing a Summer Show. A core feature within this was the introduction to a custom arrow system – which we developed from an ongoing self-initiated typeface – that originally responded to the architectural foundations of Winchester School of Art. These arrows intended to reflect on the many creative avenues and career decisions that the graduates had undertaken during their studies. Placed within Rotunda-building-screw shapes, each component turned to convey the progression of graduates from education to industry alongside the resulting of forward-thinking outcomes. These outputs were further emulated in the constantly shifting colour borders to which repeatedly evolve based on each dimensional frame movement to culminate a vibrant visual language.
Further nods to Winchester School of Art’s functioning and visual presence were made by using GT Cinetype (from Grilli Type Foundry) based on its similarities to the Rotunda building, which extended the playfulness of the ident in correlation with the wider colourful borders and arrows that were applied across way-finding, social media assets alongside tote bags.
#: 0112
Year: 2024
Client(s): Winchester School of Art
Deliverable(s): A-boards, Animation, E-invite, Banners, Identity system, Maps, Signage, Tote bags
Typeface(s): GT Cinetype Bold (by Grilli Type Foundry)
Printers: Valley Graphics, Big Stuff
0111
BA Textiles Design 2024
-
- 2024
- OrangeMagentaYellow
- BA Textile Design
- Lookbook A5 (148 × 210 mm), Plinths, Vinyl
- Interlock (by MuirMcNeil)
- Accent Recycled Natural White 120gsm (by G.F. Smith), Accent Recycled Natural White 250gsm (by G.F. Smith)
BA Textiles Design 2024
An identity system that celebrated the work of the graduating 2024 cohort from the BA Textile Design programme at Winchester School of Art. This project sought inspiration from the physicality as well as the diversity of the processes which interlink fabrics, depicted by the display typeface Interlock (MuirMcNeil foundry) within a colourful colour palette which complimented the provided photography.
Printed on recycled stock, the catalogues utalise a combination of informative editorial with full bleed image spreads for the emphasis of small detailing within the featured work. Supporting this asset, we worked with both staff and students to direct wall text vinyl, plinth artwork and caption labels for the programme’s external showcase at both WSA’s Degree Show & New Designers in London.
#: 0111
Year: 2024
Client(s): BA Textile Design
Deliverable(s): Lookbook A5 (148 × 210 mm), Plinths, Vinyl
Typeface(s): Interlock (by MuirMcNeil)
Paper(s): Accent Recycled Natural White 120gsm (by G.F. Smith), Accent Recycled Natural White 250gsm (by G.F. Smith)
Printer: DayFold
Photography: Toby Wells
0110
BA Fashion Design 2024
-
- 2024
- GreyOrange
- BA Fashion Design
- Animation, A-boards, Banners, E-invite, Social media, Tickets, Running Order
- Neue Haas Grotesk Regular
- -
BA Fashion Design 2024
An identity system and promotional material for BA Fashion Design’s Fashion Show at the Winchester Guildhall. In contrast to last year’s iteration, we introduced a new visual language that prioritised the 2024 cohort’s diverse submissions as cutout imitations inspired by cutting patterns alongside subtle modernist typographic principles and an earthy colourscheme. When combined, these components reflected the physicality of the work as well as their use of layering in fabrics.
Applied across the Guildhall West Wing and main Winchester School of Art sites, a core focus of the project was signage to guide visitors from the main campus to the location of the show. This included developing navigational a-boards and long hanging banners in public facing areas of the city. Folded pamphlets/posters were additionally produced to present the cohort’s work & contact details.
#: 0110
Year: 2024
Client(s): BA Fashion Design
Deliverable(s): Animation, A-boards, Banners, E-invite, Social media, Tickets, Running Order
Typeface(s): Neue Haas Grotesk Regular
Printers: Valley Graphics, Creative Services Centre
Photography: Toby Wells
0109
Ctrl Alt Del
-
- 2024
- Green
- BA Games Design & Art
- A-boards A1 (420 × 594 mm), Catalogues A5 (148 × 210 mm), Animation, E-invite, Posters, Social media, Vinyl
- Untitled Sans Regular (by Klim)
- Accent Recycled Natural White (by G.F. Smith)
Ctrl Alt Del
BA Games Design & Art 2024
An identity system that represented BA Games Design and Art in 2024 as part of their external London & Winchester shows. The title, ‘Ctrl Alt Del’ was built upon the influence & process that technical hardware – particularly keyboards – can have on the creative thinking and formation of the work by the students at Winchester School of Art. Control mechanisms offers users the ability to direct their narratives and creative ideals, enabling explorative mixed medium results which can challange, contort and deconstruct visual media. Capturing this, we adopted a modular type system called TenPoint (by type foundry MuriMcNeil) that was constructed from repetitions of a single cell – a circular disc with an open counterform – within a fixed geometric grid as an attempt to locate typographic objects at the lowest limit of their function as vehicles of language and to codify their visual arrangements. Implementing all eight of the typeface’s weights, we worked with the cohort to curate a language that emphasised software loading & the results of this by repeatedly using a building and unbuilding sequence.
Alongside the typographic-led motion, we proposed a colour system that played on technological loading processes with a fluorescent green. In print, this was achieved using Pureprint’s HP Indigo printing process as a reflection of technological advancements. Applied onto satin coated poster sleeve, the asset offered both protective layering and an opportunity to further showcase the influence that technical hardware has had on the cohort’s work with a grid system which shortlisted an image per student. A sustainable accent stock for the catalogues was equally selected as a nod to the texture of many keyboard units manufactured since the mid 1980s are still in use today. This contrast in tactility to the green further emphasised and demonstrated all of the different kinds of games, ranging from digital to board platforms.
#: 0109
Year: 2024
Colour(s): Green
Client(s): BA Games Design & Art
Deliverable(s): A-boards A1 (420 × 594 mm), Catalogues A5 (148 × 210 mm), Animation, E-invite, Posters, Social media, Vinyl
Typeface(s): Untitled Sans Regular (by Klim)
Paper(s): Accent Recycled Natural White (by G.F. Smith)
Printers: Pureprint Group, Creative Services, Valley Graphics
0108
MA Fashion & Sustainability Forum 2024
-
- 2024
- Grey
- Winchester School of Art
- Booklets A5 (148 × 210 mm), Postcards A5 (148 × 210 mm), A-boards, Social media
- Fugue Regular (by Radim Pesko Foundry)
- -
MA Fashion & Sustainability Forum 2024
A customisable booklet system and visual language for the MA Fashion Sustainability Forum, which is an annual event consisting of a day of talks, interviews, networking and films surrounding eco friendly practices at Winchester School of Art. This year’s iteration was influenced by the theme of colour, utalising playful blocks to symbolise the variety of tones from the internal postcards & the artwork featured in the ethical thnking/discussions.
#: 0108
Year: 2024
Colour(s): Grey
Client(s): Winchester School of Art
Deliverable(s): Booklets A5 (148 × 210 mm), Postcards A5 (148 × 210 mm), A-boards, Social media
Typeface(s): Fugue Regular (by Radim Pesko Foundry)
Printers: Valley Graphics
0107
Moving Colour
-
- 2024
- RedMagenta
- The Winchester Gallery
- A-boards A1 (420 × 594 mm), E-invite, Vinyl, Gallery TV 1080px × 1920px, Posters A3 (420 × 297 mm), Social media, TV Screen 1920px × 1080px
- Oracle Regular (by abcDinamo)
- -
Moving Colour
An identity system for Moving Colour at The Winchester Gallery, which was a multi-disciplinary group exhibition that explored phenomenological qualities in formal aspects of colour. Featuring artists included; Rana Begum, Carlos Cruz-Diez, Eleanor Lines, Jon Malis, Bridget Riley, Julia Vogl and David Whitaker.
#: 0107
Year: 2024
Client(s): The Winchester Gallery
Deliverable(s): A-boards A1 (420 × 594 mm), E-invite, Vinyl, Gallery TV 1080px × 1920px, Posters A3 (420 × 297 mm), Social media, TV Screen 1920px × 1080px
Photography: Toby Wells
Printers: Creative Services, Valley Graphics
0106
WSA Exchange x Fashion Thinkers
-
- 2024
- Red
- Winchester School of Art
- Animation, E-invite, Social media, Identity system, Invitations
- Neue Haas Grotesk Roman, Arizona Thin and Thin Italic (by abcDinamo)
- -
WSA Exchange x Fashion Thinkers
An identity system for Winchester School of Art’s Exchange & Fashion Thinkers series, acting as a bridge that connects industry with academic staff, students, research users, wider groups and communities to exchange ideas, evidence and expertise. Within this, the Fashion Thinkers series by Professor Jonathan Faiers and the Fashion & Textiles Department at Winchester School of Art, University of Southampton was an initiative to invite industry-leading experts to dicusss today’s most urgent questions. Reflecting this within a neutral yet prominent brand, our langauge utalises contrasting typographic families which split & interlink as a reference to the transferrence of skills & knowledge.
#: 0106
Year: 2024
Colour(s): Red
Client(s): Winchester School of Art
Deliverable(s): Animation, E-invite, Social media, Identity system, Invitations
Typeface(s): Neue Haas Grotesk Roman, Arizona Thin and Thin Italic (by abcDinamo)
Photography: George Davis-Ansted
0105
Into The Fold
-
- 2024
- OrangeGrey
- Winchester School of Art Library
- A-boards A1 (420 × 594 mm), Posters A3 (420 × 297 mm), Booklets A5 (148 × 210 mm), E-invite, EventBrite, Gallery TV 1080px × 1920px, Social media, TV Screen 1920px × 1080px
- Fugue (by Radim Pesko Foundry)
- -
Into The Fold
Artist Book Fair
An identity system for Winchester School of Art Library’s Artist Book Fair that combines 3D shapes representing the stacking/unstacking of publications in animation and print. The event featured artist book and zine makers from across the UK including WSA students, staff, and local artists across two days alongside printmaking activities, an exhibition which was curated by WSA Printmaking Fellow, Julia Vogl and a performative event with artist Alec Stevens.
#: 0105
Year: 2024
Client(s): Winchester School of Art Library
Deliverable(s): A-boards A1 (420 × 594 mm), Posters A3 (420 × 297 mm), Booklets A5 (148 × 210 mm), E-invite, EventBrite, Gallery TV 1080px × 1920px, Social media, TV Screen 1920px × 1080px
Typeface(s): Fugue (by Radim Pesko Foundry)
Printers: Valley Graphics
Photography: Toby Wells
0104
Queering Connections: Triangulation
-
- 2024
- Yellow
- The Winchester Gallery
- E-invite, Posters A2 (420 × 594 mm), Posters A4 (297 × 210 mm), Vinyl, Artwork Labels, Social media
- Oracle Book and Mono (by abcDinamo)
- -
Queering Connections: Triangulation
An identity system for Queering Connections: Triangulation at The Winchester Gallery that brought three women — Katherine Anteney, Sally Schuh, and Louise Siddons — together for a queer experiment in co-creative, collaborative cartography, curated in conversation with the WSA artists’ book collection.
Seattle, USA-based artist Sally Schuh works with text and image, blurring the line between printmaking and concrete poetry. Katherine Anteney, a WSA alumni based in Southampton, makes prints that explore the strangeness of words and local landscapes. Invited to collaborate, they quickly persuaded curator Louise Siddons to join in. Selections from the WSA book collection amplify the conversations their work collectively introduces about mapping, movement, disability, communication, activism, erasure, and more.
#: 0104
Year: 2024
Colour(s): Yellow
Client(s): The Winchester Gallery
Deliverable(s): E-invite, Posters A2 (420 × 594 mm), Posters A4 (297 × 210 mm), Vinyl, Artwork Labels, Social media
Printers: Big Stuff, Valley Graphics & Creative Services Centre
Photography: George Davis-Ansted
0103
Daniel Lehan
-
- 2024
- Grey
- Winchester School of Art Library
- E-invite, Social media, Animation
- Oracle Book and Italic (by abcDinamo)
- -
Daniel Lehan
Paint Outs, Cut Outs, Tear Up Erasures
An identity system for Daniel Lehan’s exhibition in Winchester School of Art’s Library. Having formerely studied the Fine Art (Painting) Degree Course, from 1977 to 1980 at WSA, Lehan has since explored erasing texts, occasionally images, in a variety of ways, with paint, erasers, pens, by tearing and with scissors, and removing text with scalpel blades.
Pitch/Presentation
#: 0103
Year: 2024
Colour(s): Grey
Client(s): Winchester School of Art Library
Deliverable(s): E-invite, Social media, Animation
0102
Design Dialogues
Design Dialogues
An identity system for the Design Department’s Guest Lecture Series, Design Dialogues. Built upon a central theme from the semester of teaching, the talks revolved around ‘provenance’. Speakers were invitied to share a pivotal book that significantly influenced their early careers and encouraged them to explore how this choice shaped their professional trajectories. Reflecting on this, we developed an animation sequence responding to the vast collection of printed objects from the speakers with colours that were informed by their practices/own themes.
#: 0102
Year: 2024
Colour(s): Grey
Client(s): Danny Aldred, Winchester School of Art
Deliverable(s): Posters, Animation, Social media
0101
Careers Fair
-
- 2023
- Blue
- Winchester School of Art
- Animation, A-boards A1 (420 × 594 mm), E-invite, Identity system, Wayfinding, Social media
- Fugue Regular (by Radim Pesko Foundry)
- -
Careers Fair
An identity system and animations for Winchester School of Art’s Career Fair - an event which offered students ideas for their careers with direct talks from industry-leading employers whilst providing them portfolio & CV advice.
Inspired by the variety of potential career routes, we developed custom arrows that sporadically rotated as a simulation of how the students would interact and approach the different employers. Supporting this element was a playful blue, which we felt was both approachable and complimentary of the technilogically-informed glyphs. A further aim with the project was to maintain consistency with the wider changes in the School’s research language, prompting us to maintain the use of the Fugue font family.
#: 0101
Year: 2023
Colour(s): Blue
Client(s): Winchester School of Art
Deliverable(s): Animation, A-boards A1 (420 × 594 mm), E-invite, Identity system, Wayfinding, Social media
Typeface(s): Fugue Regular (by Radim Pesko Foundry)
Printers: Creative Services & Print Centre, University of Southampton
Photography: Toby Wells
0100
Ordinary Things
-
- 2023
- Purple
- The Winchester Gallery
- E-invite, Identity system, Posters A2 (420 × 594 mm), Labels, Social media, Vinyl
- Oracle Book (by abcDinamo)
- -
Ordinary Things
A visual language for ‘Ordinary Things’, an exhibition that featured twenty-six artists at WSA who transformed everyday objects into complex meditations on what it means to be in the world. The event was inspired by Marcel Duchamp, an artist who celebrated ordinary objects by putting them on pedestals in galleries. His playful engagement with the ‘museum effect’ — the extraordinary attention we’re expected to pay any object placed in an art gallery — suggested that art is an act of heightened awareness.
Participating artists: Danny Aldred, Alexandra (Sasha) Anikina, Daniel Ashton, Andrew Brook, J. R. Carpenter, Stephen Cornford, Ian Dawson, Megen de Bruin-Molé, Francis Gene-Rowe, Dave Gibbons, Seth Giddings, John Gillett, Jacob Hall, Daniel Hobson, Gordon Hon, Christina Mamakos, Clio Padovani, Kwame Phillips, Adam Procter, Andrew Reaney, Sara Roberts, Steven Sanderson, Amy Scott-Pillow, Julian Stadon, Nick Stewart, and Kai Syng Tan.
Pitch/Presentation
#: 0100
Year: 2023
Colour(s): Purple
Client(s): The Winchester Gallery
Deliverable(s): E-invite, Identity system, Posters A2 (420 × 594 mm), Labels, Social media, Vinyl
Printers: Creative Services & Print Centre, University of Southampton
Photography: George Davis-Ansted
0099
MA Degree Show 2023
-
- 2023
- MagentaGreen
- Winchester School of Art, MA Contemporary Curation, MA Fashion Design, MA Fine Art, MA Textile Design & Communication Design
- A-boards A1 (420 × 594 mm), Animation, Custom typeface, E-invite, Maps A4 (297 × 210 mm), Social media, Vinyl
- BTP Normal (by A is for Font)
- -
MA Degree Show 2023
An identity system for Winchester School of Art’s MA Degree Show in 2023 that celebrated the cohort of students graduating from their studies and showcased their work from four postgraduate programmes; MA Contemporary Curating, MA Fashion Design, MA Fine Art and MA Textile Design.
Applied across campus signage, window vinyl, a social media campaign and a digital/printed map, the identity reflected on the two sides of an annual showcase (both the construction & presentation of artwork). This was achieved from an animation that utalised custom glyphs (‘MA’) that repetitively formed & unformed amongst a playful pink/green framework. BTP (A is for Font) was equally introduced based on its visual similarities with the Winchester School of Art’s Rotunda building.
#: 0099
Year: 2023
Client(s): Winchester School of Art, MA Contemporary Curation, MA Fashion Design, MA Fine Art, MA Textile Design & Communication Design
Deliverable(s): A-boards A1 (420 × 594 mm), Animation, Custom typeface, E-invite, Maps A4 (297 × 210 mm), Social media, Vinyl
Typeface(s): BTP Normal (by A is for Font)
Printers: Creative Services, Big Stuff & Print Centre, University of Southampton
Photography: George Davis-Ansted
0098
Democratic Futures
-
- 2023
- Grey
- BA Graphic Arts, Studio 3015, Winchester School of Art
- Publications A5 (148 × 210 mm), Tri-a-board, Posters A3 (420 × 297 mm), A-boards A1 (420 × 594 mm), Animation, Social media, Workshops
- Neureal Regular (by Laura Csocsán for ECAL Typefaces), ft88 (by Ange Degheest)
- -
Democratic Futures
Democratic Futures is a collaborative inquiry between BA Hons Graphic Arts students at Winchester School of Art, University of Southampton and the Parliamentary Archives. The project explored the political archives of the 1872 Secret Ballot Act on its 150th anniversary and the implications of this act then, and now, to the democratic electoral system.
Before the Secret Ballot Act, voting consisted of employers, landlords, political operatives and clergy using strategies of intimidation to exert their influence on citizens who had to vote by voice or show of hands. Voters would be bribed or coerced into voting for candidates regardless of their personal opinions or views. The 1872 Secret Ballot Act introduced a radical reform which ensured privacy in the procedures and the act of voting, introducing the democratic electoral system. With the progression into the third and fourth Industrial Revolutions there have been rapid shifts in the quantity and quality of political information that we consume. BA Graphic Art students at Winchester School of Art have speculated on and explored how the expansion of new technologies are changing how we interact with political information, and with it, the validity, reliability and authenticity of political content.
Rather than look for answers, students worked by proposing questions of alternative futures rather than a conventional design problem. Here, investigating through speculation acts as a tool of enquiry by provoking societal and political debates while challenging existing norms. Asking questions beyond the project title allowed students to expand the boundaries of the project through developing outcomes that consider potential future realities. Students also questioned their use of conventional design decisions, and adherence to organisational structures and universal systems. Such formal principles represent a limited definition of design. To challenge conventions and norms of design approach, students participated in a series of multidisciplinary workshops which aimed to challenge these existing design structures that might allow for more shared thinking and more ‘democratic’ visuals.
The process of collaboration and speculation within a project such as Democratic Futures was fundamental to developing new learning frameworks. In this publication, which acts as a record and an extension of the project, each contributor responded to a question that frames key issues, dialogues and related debates giving context and meaning to the work produced, beyond face values. We thank the following professional contributors for their supporting roles in enhancing student understanding and helping develop alternative approaches to challenging norms: Penny McMahon - Outreach Archivist, Parliamentary Archives; Ed D’Souza – Professor of Critical Practice, Winchester School of Art; Dem Gerolemou - Designer Google; Jonas Zieher - Motion Designer, Andy Reaney - Printmaking Technician, Winchester School of Art; and the in-house design studio of Winchester School of Art, Studio 3015.
#: 0098
Year: 2023
Colour(s): Grey
Client(s): BA Graphic Arts, Studio 3015, Winchester School of Art
Deliverable(s): Publications A5 (148 × 210 mm), Tri-a-board, Posters A3 (420 × 297 mm), A-boards A1 (420 × 594 mm), Animation, Social media, Workshops
Typeface(s): Neureal Regular (by Laura Csocsán for ECAL Typefaces), ft88 (by Ange Degheest)
Printers: PurePrint Group
Interns: Amy Mepham, Ethan Read, Matt Slater, Mitesh Shantilal, Tom Emery, Weihong Tang & Zhuoya Wei
ISBN: 978-1-3999-5370-2
Edited by: Prof. Ed D’Souza
Special thanks to: Jodie Silsby, Ian Jackson, Penny McMahon, Dem Gerolemou, Jonas Zieher, Andy Reaney, George Davis-Ansted & Toby Wells
Photography: Weihong Tang & Zhuoya Wei
Award: Student Partnership Impact Award (SEDA & Jisc)
0097
BA Fashion Design 2023
-
- 2023
- GreyGrey
- BA Fashion Design
- A-boards A1 (420 × 594 mm), Banners 500mm × 1000mm, Posters A1 (420 × 594 mm), Tickets A6 (105 × 148.5 mm)
- Agipo Regular and Condensed (by Radim Pesko)
- -
BA Fashion Design 2023
An identiy system and promotional material for BA Fashion Design’s Fashion Show at the Winchester Guildhall based off our visual language from 2018. Applied across the Guildhall West Wing and main Winchester School of Art sites, a core focus of the project was signage to guide visitors from the main campus to the location of the show. This included developing navigational a-boards and long hanging banners in public facing areas of the city. Folded pamphlets/posters were additionally produced to present the cohort’s work & contact details.
#: 0097
Year: 2023
Client(s): BA Fashion Design
Deliverable(s): A-boards A1 (420 × 594 mm), Banners 500mm × 1000mm, Posters A1 (420 × 594 mm), Tickets A6 (105 × 148.5 mm)
Typeface(s): Agipo Regular and Condensed (by Radim Pesko)
Printers: Print Centre, Bishops & Creative Services Centre
Photography: Toby Wells
0096
ESC
-
- 2023
- BlueGrey
- BA Games Design & Art
- Animation, A-boards A1 (420 × 594 mm), E-invite, Identity system, Posters, Publications A5 (148 × 210 mm), Logo, Vinyl
- Analo Grotesk Regular (by Due Studio)
- Peregrina Classics Metallic Silver 250gsm (by G.F. Smith), Accent Recycled Natural White 150gsm (by G.F. Smith)
ESC
BA Games Design & Art 2023
A catalogue and visual language for BA Games Design and Art’s 2023 degree show that presented the thinking and ideas that culminated in three years of study on the programme at Winchester School of Art (University of Southampton). The students created a product which not only spoke to players, but which showcased a range of skills and ability in addition to communicating an idea and experience through great design using the theme of ‘Escape’.
Pitch/Presentation
#: 0096
Year: 2023
Client(s): BA Games Design & Art
Deliverable(s): Animation, A-boards A1 (420 × 594 mm), E-invite, Identity system, Posters, Publications A5 (148 × 210 mm), Logo, Vinyl
Typeface(s): Analo Grotesk Regular (by Due Studio)
Paper(s): Peregrina Classics Metallic Silver 250gsm (by G.F. Smith), Accent Recycled Natural White 150gsm (by G.F. Smith)
0095
BATD
-
- 2023
- Purple
- BA Textile Design
- Catalogues A6 (105 × 148.5 mm), Artwork Labels, Social media, Posters A1 (420 × 594 mm)
- Grotta Regular (by Due Studio)
- -
BATD
BA Textile Design 2023
A catalogue and visual language (social media campaign and posters) for BA Textile Design’s 2023 degree show which continued the theme of texture through fabrics & weave. We produced a playful lilac & olive colour scheme against a border format to compliment the impressive range of student work.
#: 0095
Year: 2023
Colour(s): Purple
Client(s): BA Textile Design
Deliverable(s): Catalogues A6 (105 × 148.5 mm), Artwork Labels, Social media, Posters A1 (420 × 594 mm)
Typeface(s): Grotta Regular (by Due Studio)
Printers: Creative Services Centre & Print Centre, University of Southampton
0094
Building Building
-
- 2023
- BlueOrange
- Winchester School of Art
- E-invite, Animation, A-boards A1 (420 × 594 mm), Identity system, Logo, Vinyl, Website, Press releases, Social media, Templates, Wayfinding, Maps
- Fugue Regular (by Radim Pesko for Radim Pesko Foundry)
- -
Building Building
BA Degree Show 2023
An identity system for Winchester School of Art’s BA Degree Show in 2023 that celebrated the cohort of students graduating from their studies and showcased their work from our six undergraduate programmes; BA Fashion Marketing with Management, BA Fashion Design, BA Fine Art, BA Games Design & Art, BA Graphic Arts and BA Textile Design.
Applied across campus signage, window vinyl, a social media campaign and a digital/printed map, the identity reflected on the two sides of an annual showcase (both the construction & presentation of artwork). An animation & title rationale, ‘Building’, repetitively constructed/deconstructed to symbolise the annual event. Fugue (Radim Pesko Foundry) was additionally used as a nod to the wider visual changes in the Art School’s research output, including the digital Rotunda.
#: 0094
Year: 2023
Client(s): Winchester School of Art
Deliverable(s): E-invite, Animation, A-boards A1 (420 × 594 mm), Identity system, Logo, Vinyl, Website, Press releases, Social media, Templates, Wayfinding, Maps
Typeface(s): Fugue Regular (by Radim Pesko for Radim Pesko Foundry)
Printers: Big Stuff, Creative Services & Bishops
Photography: George Davis-Ansted
0093
MA Fashion & Sustainability Forum 2023
-
- 2023
- OrangeGrey
- MA Fashion Design
- Booklets A5 (148 × 210 mm), Social media, E-invite, Postcards A5 (148 × 210 mm)
- Fugue Regular and Headline (by Radim Pesko for Radim Pesko Foundry)
- -
MA Fashion & Sustainability Forum 2023
A customisable booklet system and visual language for the MA Fashion Sustainability Forum, which is an annual event consisting of a day of talks, interviews, networking and films surrounding eco friendly practices at Winchester School of Art. This year’s iteration was influenced by the theme of tactility, utalising ‘earthy’, subtle colours to tonally symbolise the ethical thnking and discussions.
#: 0093
Year: 2023
Client(s): MA Fashion Design
Deliverable(s): Booklets A5 (148 × 210 mm), Social media, E-invite, Postcards A5 (148 × 210 mm)
Typeface(s): Fugue Regular and Headline (by Radim Pesko for Radim Pesko Foundry)
0092
Bhajan Hunjan Connecting with Maria Lucia Cattani
-
- 2022
- Green
- MA Contemporary Curation, The Winchester Gallery, Winchester School of Art Library
- Identity system, Posters A2 (420 × 594 mm), Social media, Vinyl, E-invite, Artwork Labels
- Oracle Book, Mono and Italic (by abcDinamo)
- -
Bhajan Hunjan Connecting with Maria Lucia Cattani
An identity system for an exhibition showcasing the work of Bhajan Hunjan. Hunjan was the 2020 Artist in Residence at Projecto Maria Lucia Cattani, Brazil, where artists and curators are invited to celebrate the late Maria Lucia Cattani, respected Brazilian artist, through new work of their own and selections from her archive. Both artists have produced works on paper and small-scale books; both have connected with textiles and with the repetitive and patient tasks of their women ancestors.
Bhajan’s approach to the challenge offers an intimacy of interpretation, without imitation. She has devised a meaningful visual language which remains culturally and materially distinct whilst acknowledging and celebrating the work of another. It focuses on Maria Lucia’s ‘script works’, distinctive, confident prints and drawings, intentionally illegible, overprinted in massed multiples, using colour and rotation in strict and not-so-strict systems. In response, Bhajan developed a language of soft mark-making, less systematic and rotational, but reflecting a spiritual connection with the work of her friend and memories of her remarkable energy and generosity. Inspired by Sikh Gurbani scriptures from the Punjab, and while listening to the sacred music often sung to specific ragas, Bhajan printed long, fluid blocks of meditative, cursive script, repeated in a rhythmic, punctuated undulation.
Pitch/Presentation
#: 0092
Year: 2022
Colour(s): Green
Client(s): MA Contemporary Curation, The Winchester Gallery, Winchester School of Art Library
Deliverable(s): Identity system, Posters A2 (420 × 594 mm), Social media, Vinyl, E-invite, Artwork Labels
Printers: Creative Services Centre
Photography: Dave Gibbons
0091
Queering Connections: Narielwalla // Dixon
-
- 2023
- PurpleMagenta
- iPIC Research Group, The Winchester Gallery
- Identity system, Posters A2 (420 × 594 mm), Press releases A4 (297 × 210 mm), Vinyl, E-invite, Booklets A5 (148 × 210 mm), Artwork Labels
- Maxi Round Mono Light (by abcDinamo)
- -
Queering Connections: Narielwalla // Dixon
An identity system for the third iteration of the collaborative exhibition project ‘Queering Connections’, which hosted two artists whose work is represented in University of Southampton/Winchester School of Art’s internationally renowned Artists’ Book Collection, started in the late 1960s: Hormazd Narielwalla and Jeremy Dixon.
Both artists work with collage as a main artistic medium, layering high art and popular culture references within their aesthetically different art works, conveyed through Maxi - a display typeface which responded well with Narielwalla’s use of shapes and abstraction against the Gallery’s Oracle - a neutral typeface that correlated with Dixon’s more understated practice. These combined assets supported the ways in which their work relates to identity and LGBTQ+ themes, specifically how Narielwalla and Dixon draw on their personal stories and journeys as well as broader concerns relating to queer lives and histories.
Pitch/Presentation
#: 0091
Year: 2023
Client(s): iPIC Research Group, The Winchester Gallery
Deliverable(s): Identity system, Posters A2 (420 × 594 mm), Press releases A4 (297 × 210 mm), Vinyl, E-invite, Booklets A5 (148 × 210 mm), Artwork Labels
Typeface(s): Maxi Round Mono Light (by abcDinamo)
Printers: Big Stuff, Bishops Printers & Creative Services Centre
Photography: George Davis-Ansted
0090
What Colour Is Metal?
-
- 2022
- Orange
- The Winchester Gallery
- E-invite, Artwork Labels, Social media, Vinyl, Website
- Graphik Regular, Formation Demi-Bold
- -
What Colour Is Metal?
We were tasked with supporting the design of promotional assets for What Colour is Metal? This was an identity system that was designed by wemakevisual in Ireland for an exhibition that brought audiences on a journey of process, experimentation and mastery through the practice of 25 contemporary jewellers and silversmiths. Following a successful run in Dublin Castle, that saw over 50,000 visitors, and a showing in National Gallery of Craft and Design, Kilkenny, Ireland, What Colour is Metal? was further presented at The Winchester Gallery.
#: 0090
Year: 2022
Colour(s): Orange
Client(s): The Winchester Gallery
Deliverable(s): E-invite, Artwork Labels, Social media, Vinyl, Website
Printers: Creative Services Centre
Designed by: Nathan Somers, wemakevisual
0089
WSA Green Week 2022
-
- 2022
- Green
- BA Fashion Design, BA Fashion Marketing, BA Textile Design, Winchester School of Art
- A-boards A1 (420 × 594 mm), Posters A3 (420 × 297 mm), Identity system, Invitations A5 (148 × 210 mm), Website, Social media, Swingtags 75 × 40 mm
- Martin Condensed (by Vocal Type)
- -
WSA Green Week 2022
A visual language for WSA Green Week, in association with Winchester Green Week, that represented a series of events and activities delivered by Winchester School of Art that aimed to highlight more sustainable ways of living.
#: 0089
Year: 2022
Colour(s): Green
Client(s): BA Fashion Design, BA Fashion Marketing, BA Textile Design, Winchester School of Art
Deliverable(s): A-boards A1 (420 × 594 mm), Posters A3 (420 × 297 mm), Identity system, Invitations A5 (148 × 210 mm), Website, Social media, Swingtags 75 × 40 mm
Typeface(s): Martin Condensed (by Vocal Type)
Printers: Creative Services Centre & Print Centre, University of Southampton
Intern: Katie Bevan
0088
Rotunda
-
- 2023
- Grey
- Date Image Lab, Materials Lab, Social Practices Lab, Global Smart Lab, Winchester School of Art, The Winchester Gallery, Winchester School of Art Library
- Website, Identity system, Templates
- Fugue Headline and Regular (by Radim Pesko for Radim Pesko Foundry)
- -
Rotunda
The Rotunda is a platform that is dedicated to combining and showcasing the research-led events from staff & students across multiple disciplines and departments at Winchester School of Art. Working closely with colleagues & developers Chaptr Studio, we curated a technologically informed visual language that reflected the art school’s extensive brand archive by revitalising Fugue (Radim Pesko), and merged this with radical grid systems alongside lab ‘shapes’ to signify the progressive creative thinking behind the Research Labs.
Pitch/Presentation
#: 0088
Year: 2023
Colour(s): Grey
Client(s): Date Image Lab, Materials Lab, Social Practices Lab, Global Smart Lab, Winchester School of Art, The Winchester Gallery, Winchester School of Art Library
Deliverable(s): Website, Identity system, Templates
Typeface(s): Fugue Headline and Regular (by Radim Pesko for Radim Pesko Foundry)
Developers: Chaptr Studio
0087
MA Degree Show 2022
-
- 2022
- BlueOrange
- Winchester School of Art
- Posters A2 (420 × 594 mm), E-invite, A-boards A1 (420 × 594 mm), Maps A4 (297 × 210 mm)
- Helvetica Neue Regular (by Max Miedinger)
- Galerie Silk 200gsm
MA Degree Show 2022
An identity system for Winchester School of Art’s MA Degree Show in 2022 which was a continuation from the BA Degree Show (2022) but incorporated a seperate tone alongside refined glyphs to remain as a unique, stand-alone event.
#: 0087
Year: 2022
Client(s): Winchester School of Art
Deliverable(s): Posters A2 (420 × 594 mm), E-invite, A-boards A1 (420 × 594 mm), Maps A4 (297 × 210 mm)
Typeface(s): Helvetica Neue Regular (by Max Miedinger)
Paper(s): Galerie Silk 200gsm
Printers: Print Centre, University of Southampton
0086
BA Degree Show 2022
-
- 2022
- OrangeGreenBlue
- Winchester School of Art
- Identity system, Animation, A-boards A1 (420 × 594 mm), Booklets, E-invite, Invitations, Maps, Vinyl, Website
- Helvetica Neue Regular (by Max Miedinger)
- Galerie Silk 200gsm
BA Degree Show 2022
An identity system for Winchester School of Art’s BA Degree Show in 2022 that celebrated the cohort of students graduating from their studies and emphasised the significant standard of work which was produced following a difficult two-year period admist the Covid-19 pandemic. We created experimental typographic forms to visualise ’2022’, with each holding a characterisation that represented the materiality of the five graduating programmes: Fashion Design, Fine Art, Games Design, Graphic Arts, Textile Design. These programmes were then paired through their similarities of materials/processes and were also provided their own colour identity system as part of wayfinding & signage across the campus. Animation sequences were additionally produced to represent the cross-disciplinary nature of the programmes through the further mergance of the typographic elements.
#: 0086
Year: 2022
Client(s): Winchester School of Art
Deliverable(s): Identity system, Animation, A-boards A1 (420 × 594 mm), Booklets, E-invite, Invitations, Maps, Vinyl, Website
Typeface(s): Helvetica Neue Regular (by Max Miedinger)
Paper(s): Galerie Silk 200gsm
Printers: Print Centre, University of Southampton
Photography: Toby Wells
0085
BA Textile Design 2022
-
- 2022
- Green
- BA Textile Design
- Catalogues A5 (148 × 210 mm), Posters A2 (420 × 594 mm), Social media
- ABC Gravity Condensed (by abcDinamo), Oracle Book and Mono (by abcDinamo)
- Colorplan, Mist 270gsm (by G.F. Smith)
BA Textile Design 2022
A catalogue and visual language (social media campaign and posters) for BA Textile Design’s 2022 degree shows. Working closely with staff & students on the programme we produced a playful colour scheme against a border format that complimented the impressive range of fabrics.
Pitch/Presentation
#: 0085
Year: 2022
Colour(s): Green
Client(s): BA Textile Design
Deliverable(s): Catalogues A5 (148 × 210 mm), Posters A2 (420 × 594 mm), Social media
Typeface(s): ABC Gravity Condensed (by abcDinamo), Oracle Book and Mono (by abcDinamo)
Paper(s): Colorplan, Mist 270gsm (by G.F. Smith)
Printers: Print Centre, University of Southampton
Make-up Artists: Emma-Louise Orskaug, Keziah Gordon & Mia Lianne
Stylist: Rebekah Roy
0084
Elevate
-
- 2022
- MagentaGrey
- BA Games Design & Art
- Identity system, Social media, A-boards A1 (420 × 594 mm), Signage, Catalogues
- FK Raster Grotesk Blended (by Florian Karsten), Good Sans Regular (by Good Type Foundry)
- Peregrina Classics Metallic Silver 270gsm (by G.F. Smith), Munken Polar Crisp White Smooth 135gsm (by G.F. Smith)
Elevate
BA Games Design 2022
An identity system that represented BA Games Design and Art in 2022. The title, ‘Elevate’ sought inspiration from the idea of transitioning from one period of time to another; reaching new heights and starting new beginnings. This concept was also considered throughout the design elements of the identity; as abstract forms within a games controller help elevate a character within a game through different levels, we wanted this to reflect the student journey and utilise these abstract shapes to help represent their individual, unique experiences at Winchester School of Art. The symbols were distributed at random across the exhibition showcasing their final games and a publication which housed their final works. Alongside this, animated to be randomised highlighting the importance of students each holding a unique journey to get to the graduating moment across different digital formats.
A generative design system was also created for the publication showcasing the student work, in which each team of students helped to produce a game using chose 6 iconic abstract shapes. These forms were then applied within gaming methods to create a unique pattern. Due to the nature of a spiral bind, these are able to be removed from the publication and used as posters which the students are able to keep as memorabilia.
The colour system reflected upon the materials that symbolised traditional gaming software, but also how technology has modernised the way we interact with interfaces shown by using new printing methods such as the HP Indigo printing process, used at PurePrint. The silver reflects materials of CDs and floppy disks used for retro games, whilst the pink symbolises iconic palettes used from the time the first digital game was created and this emphasis on ‘screen’ based, new technologies. Raster Grotesk was also used to emphasis this, reflecting a form of pixels to create an image.
#: 0084
Year: 2022
Client(s): BA Games Design & Art
Deliverable(s): Identity system, Social media, A-boards A1 (420 × 594 mm), Signage, Catalogues
Typeface(s): FK Raster Grotesk Blended (by Florian Karsten), Good Sans Regular (by Good Type Foundry)
Paper(s): Peregrina Classics Metallic Silver 270gsm (by G.F. Smith), Munken Polar Crisp White Smooth 135gsm (by G.F. Smith)
Printers: PurePrint Group
0083
Revelate
-
- 2022
- Grey
- BA Fashion Design
- A-boards A1 (420 × 594 mm), Posters A2 (420 × 594 mm), Identity system, Social media, E-invite, Long hanging posters 1070.80 × 2114.32 mm, Eventbright, Running orders A3 (420 × 297 mm)
- Neue Haas Grotesk Roman
- -
Revelate
BA Fashion Design 2022
An identity system that represented BA Fashion Design in 2022. The title, ‘Revelate’, was inspired by the theme of a young, driven and creative generation emerging from education into the industry with references of underground, urbanised films including Fish Tank (2009) & La Haine (1995). We designed a film-inspired response capturing this, using distorted/rendered imagery alongside simple typographic conventions.
#: 0083
Year: 2022
Colour(s): Grey
Client(s): BA Fashion Design
Deliverable(s): A-boards A1 (420 × 594 mm), Posters A2 (420 × 594 mm), Identity system, Social media, E-invite, Long hanging posters 1070.80 × 2114.32 mm, Eventbright, Running orders A3 (420 × 297 mm)
Typeface(s): Neue Haas Grotesk Roman
Printers: Creative Services Centre
0082
Protest.mp4
-
- 2022
- Grey
- BA Graphic Arts, Museumand, The National Caribbean Museum
- Invitations A5 (148 × 210 mm), Publications A5 (148 × 210 mm), A-boards A1 (420 × 594 mm), Social media, E-invite, Vinyl, Website
- Helvetica Neue Medium and Regular (by Max Miedinger for Linotype), The Neue Black (by Vocal Type)
- Cyclus Offset 300gsm and 135gsm (by Antalis)
Protest.mp4
The Protest.mp4 collaborative student project was delivered in October 2021, the year of the 40th anniversary of the 1981 Brixton Uprisings. Studio 3015 used this opportunity raised by this anniversary to develop and lead a collaborative project with the purpose of revisiting this important British event and to connect current interests in race and activism raised through more recent global protests, led by the Black Lives Movement, to continued issues of racial disparity. Studio 3015 chose to work outside of the national archives that exist but made the decision to highlight the work of Museumand, The National Caribbean Museum as an example of a progressive British institution and archive to create a project that might tangibly engage with these linked histories and issues. Bringing BA (Hons) Graphic Arts students both into contact with historic material and an organisation that is really focused on supporting engagement with Black British history and culture is also about illustrating different ways that this student community might engage and participate in wider questions of culture, identity and how design might foster critical and useful societal engagement with these subjects. There of course within Museumand’s archive key documents and community produced political protest material directly relating to issues of racial discrimination raised through the Brixton uprisings and a project like this also seeks to allow the use of history to engage with what is a continued issue in contemporary Britain that our students can engage in. From these discussions students were encouraged to interpret the diverse social and political archival materials, primarily communicating a theme relating to the 1981 Brixton uprisings ensuring that they respect the content and context of the material, the voices of those involved and its place in history.
The students were encouraged to explore a range of visual approaches considering context, historic and contemporary parallels, themes and audience. Protest.mp4 as a project space offered students the opportunities to think of their outcomes in various ways. This included the use of a speculative design approach to challenge the subject matter and material allowing for a space to imagine alternative and better futures. These speculative approaches importantly encompass digital spaces, new technologies, other alternatives methods of communication or engagement beyond the traditional confines of print. As an approach and through professionally supported workshops, students framed responses around key words such as interpret, agitate, inform, solve or reveal.
The process of collaboration was fundamental for students to create informed conversations whilst utilising the practising skillsets of the Graphic Arts cohort. Working with Museumand —The National Caribbean Heritage Museum, Eddie Opara—Pentagram, Kieron Lewis, Jona Zieher—Spin and Studio 3015—WSA, allowed for the contribution of their perspectives of race, diversity, speculative practice, technology and activism. Through the generous support of these professional contributors, the students greatly enhanced their understanding of these subjects and independently sought alternative approaches to challenge norms.
Students worked under the guidance of Studio 3015 in a studio setting to create an identity system that communicated the key principles of Protest.mp4. They investigated and demonstrated how their messages could be communicated through the lens of traditional forms of protest, and queried how this medium can be challenged through new ways of thinking and designing. The expansion of new technologies has altered the landscape of design and how communication is perceived and experienced. Questioning the role of the poster and how this can be pushed beyond the boundaries of the printed page would allow the medium to expand and serve as a unified coexistence in both a physical and digital space. Typography on the animated designs would be responsive and reactive, amplifying the mode of design activism to a contemporary audience. With a lack of diversity within the Graphic design industry, students wanted to employ a typeface that was representational of race, protest and its history. Designed by Tré Seal, Vocal Type, Neue Black typeface was a relevant identity choice for the project due to it design being grounded within civil right protest movements.
#: 0082
Year: 2022
Colour(s): Grey
Client(s): BA Graphic Arts, Museumand, The National Caribbean Museum
Deliverable(s): Invitations A5 (148 × 210 mm), Publications A5 (148 × 210 mm), A-boards A1 (420 × 594 mm), Social media, E-invite, Vinyl, Website
Typeface(s): Helvetica Neue Medium and Regular (by Max Miedinger for Linotype), The Neue Black (by Vocal Type)
Paper(s): Cyclus Offset 300gsm and 135gsm (by Antalis)
Award: Finalist for ‘Design For Good’, Antalis Creative Power
Printers: PurePrint Group
ISBN: 978-1-3999-2315-6
Binding: Spiral bound, Caromer
Edited by: Prof. Ed D’Souza
Photography: Dave Gibbons
0081
MA Fashion & Sustainability Forum 2022
-
- 2022
- GreyGrey
- MA Fashion Design
- Booklets 167 × 240 mm, E-invite, Posters A3 (420 × 297 mm)
- Fugue Headline and Regular (by Radim Pesko for Radim Pesko Foundry)
- -
MA Fashion & Sustainability Forum 2022
A foldable poster/booklet and visual language for the MA Fashion Sustainability Forum, which is an annual event consisting of a day of talks, interviews, networking and films surrounding eco friendly practices at Winchester School of Art.
#: 0081
Year: 2022
Client(s): MA Fashion Design
Deliverable(s): Booklets 167 × 240 mm, E-invite, Posters A3 (420 × 297 mm)
Typeface(s): Fugue Headline and Regular (by Radim Pesko for Radim Pesko Foundry)
0080
Inner Worlds: Heinrich and Palmer
Inner Worlds: Heinrich and Palmer
An identity system for the culminating public display of Anna Heinrich and Leon Palmer following their year-long artist residency, sampled at Winchester School of Art: water from the pond; a spiders’ web; workshop dust; a flake of studio paint and other elements, examined at massive magnification the worlds contained within these tiny things. The resulting light-projection brought together all this detail, along with its architectural context, in a moving, ephemeral response to the art school building and specifically its iconic Rotunda.
This work developed in particular from the opportunities the artists negotiated at the Biomedical Imaging Unit, part of the University located within Southampton General Hospital, where they were given access to scanning electron microscopy, confocal and lightsheet microscopy and photomicroscopy.
#: 0080
Year: 2022
Client(s): The Winchester Gallery
Deliverable(s): Posters A3 (420 × 297 mm), Social media, Vinyl
Printers: Creative Services Centre
0079
Prospectus 2021
-
- 2021
- RedBlue
- Winchester School of Art
- Prospectus 167 × 240 mm
- DIN Bold and Regular (by Albert-Jan Pool)
- Horizon Offset 120gsm and 250gsm
Prospectus 2021
Working with the University of Southampton’s brand guidelines, we designed Winchester School of Art’s prospectus in 2021.
#: 0079
Year: 2021
Client(s): Winchester School of Art
Deliverable(s): Prospectus 167 × 240 mm
Typeface(s): DIN Bold and Regular (by Albert-Jan Pool)
Paper(s): Horizon Offset 120gsm and 250gsm
Printers: Bishops Printers
0078
BA Degree Show 2021
-
- 2021
- Green
- Winchester School of Art
- A-boards A1 (420 × 594 mm), E-invite, Booklets A5 (148 × 210 mm)
- Basis Grotesque Medium (by Colophon)
- Galerie Silk 200gsm
BA Degree Show 2021
An identity system for Winchester School of Art’s BA Degree Show in 2021 that was influenced by the environment in which WSA is located. The graphic language reflected the natural and organic flow of the river itchen that runs through the campus by the motion of geometric shapes, and supported by a vibrant green.
Pitch/Presentation
#: 0078
Year: 2021
Colour(s): Green
Client(s): Winchester School of Art
Deliverable(s): A-boards A1 (420 × 594 mm), E-invite, Booklets A5 (148 × 210 mm)
Typeface(s): Basis Grotesque Medium (by Colophon)
Paper(s): Galerie Silk 200gsm
Printers: Culverlands, Big Stuff & Print Centre, University of Southampton
0077
MA Work In Progress Show 2021
-
- 2021
- Red
- MA Fashion Design, MA Contemporary Curation, MA Fine Art, MA Luxury Brand Management, MA Textile Design & Communication Design
- E-invite, A-boards A1 (420 × 594 mm), Posters A3 (420 × 297 mm), Vinyl, Social media, Flyers A6 (105 × 148.5 mm)
- Basis Grotesque Medium (by Colophon)
- Galerie Silk 350gsm, Edixion Offset 120gsm
MA Work In Progress Show 2021
A visual language which conveyed the idea of ‘Work In Progress’ for the MA Work in Progress Show in 2021. We re-though and re-used an existing identity and applied hand cut shapes with typographic forms based on leftover objects that were found across the campus.
Pitch/Presentation
#: 0077
Year: 2021
Colour(s): Red
Client(s): MA Fashion Design, MA Contemporary Curation, MA Fine Art, MA Luxury Brand Management, MA Textile Design & Communication Design
Deliverable(s): E-invite, A-boards A1 (420 × 594 mm), Posters A3 (420 × 297 mm), Vinyl, Social media, Flyers A6 (105 × 148.5 mm)
Typeface(s): Basis Grotesque Medium (by Colophon)
Paper(s): Galerie Silk 350gsm, Edixion Offset 120gsm
Printers: Bishops Printers, Creative Services Centre & Big Stuff
Photography: Curtis Rayment
0076
BA Games Design & Art 2021
-
- 2021
- Blue
- BA Games Design & Art
- Identity system, E-invite, A-boards A1 (420 × 594 mm), Social media, Beer mats, Tote bags, Booklets
- Custom, Roobert Regular
- -
BA Games Design & Art 2021
An identity system for BA Games Design and Art’s 2021 degree show that showcased the thinking and ideas that culminated in three years of study on the programme at Winchester School of Art (University of Southampton). The students created a product which not only spoke to players, but which showcased a range of skills and ability in addition to communicating an idea and experience through great design.
Pitch/Presentation
#: 0076
Year: 2021
Colour(s): Blue
Client(s): BA Games Design & Art
Deliverable(s): Identity system, E-invite, A-boards A1 (420 × 594 mm), Social media, Beer mats, Tote bags, Booklets
Printers: Hambleside Merchandise, Bishops Printers & Big Stuff
0075
MA Degree Show 2021
-
- 2021
- OrangeGrey
- Winchester School of Art, MA Fine Art, MA Fashion Design, MA Contemporary Curation, MA Luxury Brand Management, MA Textile Design & Communication Design
- A-boards A1 (420 × 594 mm), E-invite, Maps A5 (148 × 210 mm), Social media
- Apercu Mono (by Colophon), Modelo Regular (by Maximage)
- Galerie Silk 350gsm, Maxi Offset 180gsm
MA Degree Show 2021
An identity system for Winchester School of Art’s MA Degree Show in 2021 that explored the idea of connectivity, process and experimentation through using the typeface ‘Modelo’, a type design consisting of combined forms & shapes.
Pitch/Presentation
#: 0075
Year: 2021
Client(s): Winchester School of Art, MA Fine Art, MA Fashion Design, MA Contemporary Curation, MA Luxury Brand Management, MA Textile Design & Communication Design
Deliverable(s): A-boards A1 (420 × 594 mm), E-invite, Maps A5 (148 × 210 mm), Social media
Typeface(s): Apercu Mono (by Colophon), Modelo Regular (by Maximage)
Paper(s): Galerie Silk 350gsm, Maxi Offset 180gsm
Printers: Bishops Printers & Creative Services Centre
0074
The Winchester Gallery: Film Series
-
- 2021
- GreyGrey
- The Winchester Gallery, Winchester School of Art
- Posters A3 (420 × 297 mm)
- Oracle Book (by ECAL Typefaces)
- Maxi Offset 180gsm
The Winchester Gallery: Film Series
A collection of posters for The Winchester Gallery’s Film Series in 2021 for a series of exhibitions that sampled twenty years of film-based innovation directed towards geographical and post-industrial histories; across six works it addresses themes of personal mythology, the vulnerabilities of human interaction, and the persistence of community, through filters of anthropology, romanticism and confrontation.
#: 0074
Year: 2021
Client(s): The Winchester Gallery, Winchester School of Art
Deliverable(s): Posters A3 (420 × 297 mm)
Typeface(s): Oracle Book (by ECAL Typefaces)
Paper(s): Maxi Offset 180gsm
0073
Telephonic Youth
-
- 2021
- Grey
- John Hansard Gallery, BT Heritage & Archives, Dr Eve Colpus
- Logo, Social media
- Muli Bold, Bold Italic, Semi Bold, Regular and Italic (by Typetype), Open Sans Bold, Bold Italic, Regular, Semi Bold and Italic (by Typetype), Galapagos (by abcDinamo)
- -
Telephonic Youth
A logo that embodies the first historical study of young people’s telephone use in modern Britain, covering the period c.1984-1999. Through combining archival research, oral history research and research with community participants and in contemporary youth contexts, it will investigate young people’s access (and restrictions) to using telephones in this era, incorporating the landline, public telephone and mobile phone.
The aim was to examine the significance of telephones in diverse facets of young people’s lives, including in play cultures; leisure; the construction of home; mediation of family life and friendships; the assertion of fashionable identities; as an educational tool; in the workplace; and for locating advice and help. In doing so, the research traced how young people’s telephone use has been historically at the heart of debates over the meanings of privacy, protection, dependency, and social inequality. A core goal was also to stimulate public participation in the production of this history, through research activities with adults (collecting childhood memories about phone use) and with young people and families exploring historical contexts and their implications for questions of youth agency today.
Pitch/Presentation
#: 0073
Year: 2021
Colour(s): Grey
Client(s): John Hansard Gallery, BT Heritage & Archives, Dr Eve Colpus
Deliverable(s): Logo, Social media
Typeface(s): Muli Bold, Bold Italic, Semi Bold, Regular and Italic (by Typetype), Open Sans Bold, Bold Italic, Regular, Semi Bold and Italic (by Typetype), Galapagos (by abcDinamo)
0072
The Winter Tree
The Winter Tree
A booklet that supported Winchester-based artist Andrew Carnie’s exhibition at City Space in Winchester Discovery Centre. This event offered new insights into neurological fields and the wider area of dendritic form, asking: How do we understand our sense of self and the way we relate to the world we are born into?
The exhibition was based on two projected works, amongst others:
Here There Everywhere, The Winter Tree (4 Channel HD Video) and As Things Come To Pass (2 Channel HD Video)
#: 0072
Year: 2021
Colour(s): Grey
Client(s): Winchester School of Art, Andrew Carnie
Deliverable(s): Booklets A5 (148 × 210 mm)
0071
Colonial Caballo
-
- 2021
- Grey
- The Winchester Gallery, Sarah Farman
- Posters A3 (420 × 297 mm), A-boards A1 (420 × 594 mm), E-invite, Animation, Vinyl, Booklets A5 (148 × 210 mm)
- Oracle Book and Mono (by abcDinamo)
- Munken 170gsm (by G.F. Smith)
Colonial Caballo
Spanish Mustang: Contested Icon of the American West
A visual language and promotional assets for Colonial Caballo, an exhibition of paintings and installation with a book of responses to the decade spent by Sarah Farman in the American West.
Using the gallery’s brand guidelines, the studio helped to convey Farman’s social history project on the Blackfeet reservation in northern Montana, where she first encountered Spanish Mustang horses. Direct descendants of the horses brought by the Spanish to the Americas in the sixteenth century, they have been honed by nature over five hundred years. The artwork in this show was, in part, a homage to the people and the horses, as well a narrative of experiences and enduring memories.
#: 0071
Year: 2021
Colour(s): Grey
Client(s): The Winchester Gallery, Sarah Farman
Deliverable(s): Posters A3 (420 × 297 mm), A-boards A1 (420 × 594 mm), E-invite, Animation, Vinyl, Booklets A5 (148 × 210 mm)
Paper(s): Munken 170gsm (by G.F. Smith)
Printers: Creative Services Centre & Big Stuff
Photography: Dave Gibbons
0070
SIAH
-
- 2021
- Grey
- Southampton Institute of Arts & Humanities, University of Southampton, Dr Eve Colpus
- Logo
- Roboto (by Google Fonts)
- -
SIAH
Southampton Institute of Arts & Humanities
A coropoate and kinetic logo for Dr Eve Colpus representing the Southampton Institute of Arts & Humanities following its launch in November 2020.
#: 0070
Year: 2021
Colour(s): Grey
Client(s): Southampton Institute of Arts & Humanities, University of Southampton, Dr Eve Colpus
Deliverable(s): Logo
Typeface(s): Roboto (by Google Fonts)
0069
WSA x WFW Fashion Week
-
- 2021
- Grey
- BA Fashion Design
- A-boards A1 (420 × 594 mm), Tote bags, Signage, Vinyl, Website, Running orders A4 (297 × 210 mm)
- Arsenica
- -
WSA x WFW Fashion Week
We partnered with ReBurberry to create a design language for Winchester Fashion Week. The visuals were inspired by ongoing conversations with Fashion students at the Winchester School of Art, where captured the relationship between traditional design and contemporary practice through brand identity that could work across exhibitions, workshops, digital and print design.
Pitch/Presentation
#: 0069
Year: 2021
Colour(s): Grey
Client(s): BA Fashion Design
Deliverable(s): A-boards A1 (420 × 594 mm), Tote bags, Signage, Vinyl, Website, Running orders A4 (297 × 210 mm)
Typeface(s): Arsenica
Printers: Creative Services Centre & Big Stuff
Photography: Curtis Rayment
0068
Prospectus 2020
-
- 2020
- GreenCyanOrange
- Winchester School of Art
- Prospectus 167 × 240 mm, Tote bags, Notebooks A5 (148 × 210 mm), Booklets A5 (148 × 210 mm)
- DIN Bold and Regular (by Albert-Jan Pool)
- Munken Polar Crisp White Smooth 240gsm, Cyclus Offset 120gsm
Prospectus 2020
Working with the University of Southampton’s brand guidelines, we designed Winchester School of Art’s prospectus in 2020.
#: 0068
Year: 2020
Client(s): Winchester School of Art
Deliverable(s): Prospectus 167 × 240 mm, Tote bags, Notebooks A5 (148 × 210 mm), Booklets A5 (148 × 210 mm)
Typeface(s): DIN Bold and Regular (by Albert-Jan Pool)
Paper(s): Munken Polar Crisp White Smooth 240gsm, Cyclus Offset 120gsm
Printers: PurePrint Group
0067
MA Work In Progress Show 2020
-
- 2020
- RedBlue
- MA Fashion Design, MA Textile Design & Communication Design, Winchester School of Art, MA Fine Art, MA Contemporary Curation
- A-boards A1 (420 × 594 mm), E-invite, Social media, Posters A3 (420 × 297 mm), Animation, Vinyl
- Fugue Headline and Regular (by Radim Pesko for Radim Pesko Foundry)
- -
MA Work In Progress Show 2020
An identity system for Winchester School of Art’s MA Work In Progress Show in 2020, which was inspired by the fabrics and tools that were left behind the studio & workshop spaces on campus.
#: 0067
Year: 2020
Client(s): MA Fashion Design, MA Textile Design & Communication Design, Winchester School of Art, MA Fine Art, MA Contemporary Curation
Deliverable(s): A-boards A1 (420 × 594 mm), E-invite, Social media, Posters A3 (420 × 297 mm), Animation, Vinyl
Typeface(s): Fugue Headline and Regular (by Radim Pesko for Radim Pesko Foundry)
Printers: Creative Services Centre
Photography: Curtis Rayment
0066
Alternate
-
- 2020
- YellowBlueMagenta
- BA Graphic Arts
- Catalogues
- Neue Haas Grotesk Medium
- Cocoon Offset 100% Recycled 120gsm and 250gsm
Alternate
BA Graphic Arts 2020
Alternate showcased the work of Winchester School of Art’s BA Graphic Arts 2020 students, highlighting how three years of study has resulted in the different practices, processes, ideas and visuals across the programme’s pathways of Graphic Design, Motion Design, Photography and Illustration.
Designed alongside students, we produced a catalogue that utalised a colour block system, where each of the rectangular sizes reflected upon the amount of students in each pathway.
Pitch/Presentation
#: 0066
Year: 2020
Client(s): BA Graphic Arts
Deliverable(s): Catalogues
Typeface(s): Neue Haas Grotesk Medium
Paper(s): Cocoon Offset 100% Recycled 120gsm and 250gsm
0065
WSAD
-
- 2020
- GreenGrey
- BA Games Design & Art
- Identity system, Catalogues 140 × 200 mm, Booklets 100 × 140 mm, Vinyl, Website, AR cards
- Brown Regular (by Lineto), Umbuntu Light (by Google Fonts)
- Nautilus Superwhite 120gsm, Artic Munken 115gsm
WSAD
BA Games Design 2020
An end of year catalogue to launch BA Games Design and Art’s degree show in 2020. We worked closely with a team of students and course leader Adam Procter to deliver a physical and digital book showcasing group work from their cohort.
Pitch/Presentation
#: 0065
Year: 2020
Client(s): BA Games Design & Art
Deliverable(s): Identity system, Catalogues 140 × 200 mm, Booklets 100 × 140 mm, Vinyl, Website, AR cards
Typeface(s): Brown Regular (by Lineto), Umbuntu Light (by Google Fonts)
Paper(s): Nautilus Superwhite 120gsm, Artic Munken 115gsm
Printers: PurePrint Group
Binding: Perfect bound
0064
BA Fashion & Textiles Design 2020
-
- 2020
- Grey
- BA Fashion Design, BA Textile Design
- Catalogues 265 × 165 mm
- Apfel Grotesk Brukt, Apfel Grotesk Regular, Whyte Inktrap (by abcDinamo)
- Recycled Offset 120gsm (by G.F. Smith), Recycled Offset 180gsm (by G.F. Smith)
BA Fashion & Textiles Design 2020
A pair of catalogues for BA Fashion & Textiles Design in 2020 which were a response to the theme of sustainability. Using Apfel Brukt, a typeface choice that uses less 18% less ink when printing due to its letter design by piercing each glyph in the blackest of points, we designed the catalogues to additionally be printed on Eco White, an eco friendly tactile paper choice that we have in house whilst using printing methods either 4 Colour and Riso Printing.
#: 0064
Year: 2020
Colour(s): Grey
Client(s): BA Fashion Design, BA Textile Design
Deliverable(s): Catalogues 265 × 165 mm
Typeface(s): Apfel Grotesk Brukt, Apfel Grotesk Regular, Whyte Inktrap (by abcDinamo)
Paper(s): Recycled Offset 120gsm (by G.F. Smith), Recycled Offset 180gsm (by G.F. Smith)
Printers: Print Centre, University of Southampton
Photography: Toby Wells
0063
Safe Spaces Soton
-
- 2021
- YellowGrey
- John Hansard Gallery, University of Southampton
- Logo, Vinyl
- Custom (by Thomas Mcgrath), Space Grotesk Regular
- -
Safe Spaces Soton
John Hansard Gallery, in partnership with Skate Southampton, presents Safe Spaces Soton. This initiative sought to encourage the reactivation of seemingly forgotten ‘in-between’ areas of the city, aiming to stir community imagination towards the reclamation of dormant civic spaces.
We invited Southampton photographer Luke Shears to take photographs of the local area and have placed these images inside and outside of community spaces in Northam, St. Mary’s and Guildhall Square.
#: 0063
Year: 2021
Client(s): John Hansard Gallery, University of Southampton
Typeface(s): Custom (by Thomas Mcgrath), Space Grotesk Regular
Photography: Luke Shears
Printers: Big Stuff
0062
WSA 150
-
- 2020
- Green
- Winchester School of Art, University of Southampton
- Identity system, Vinyl, Logo, Social media, Vinyl, Website, Flags, Posters A2 (420 × 594 mm), Postcards A6 (105 × 148.5 mm), Booklets A5 (148 × 210 mm), Flyers A4 (297 × 210 mm)
- DIN Light (by Albert-Jan Pool for Adobe Fonts), Freight Book and Bold (by Joshua Darden for Garage Fonts)
- Edixion Offset 170gsm (by Antalis)
WSA 150
A visual system that extended the current branding into a stand alone identity to celebrate 150 years of Winchester School of Art. Specifically, using the University of Southampton’s brand typefaces and colours with the addition of a special colour to complement the rich and vibrant heritage of the school.
#: 0062
Year: 2020
Colour(s): Green
Client(s): Winchester School of Art, University of Southampton
Deliverable(s): Identity system, Vinyl, Logo, Social media, Vinyl, Website, Flags, Posters A2 (420 × 594 mm), Postcards A6 (105 × 148.5 mm), Booklets A5 (148 × 210 mm), Flyers A4 (297 × 210 mm)
Typeface(s): DIN Light (by Albert-Jan Pool for Adobe Fonts), Freight Book and Bold (by Joshua Darden for Garage Fonts)
Paper(s): Edixion Offset 170gsm (by Antalis)
Printers: Big Stuff & Print Centre, University of Southampton
Photography: Dave Gibbons
0061
iPIC
-
- 2020
- GreyRedGreen
- iPIC Research Group
- Logo, Identity system, Social media
- Roboto Medium, Italic, Regular, Light and Medium Italic (by Typetype)
- -
iPIC
A logo & identity system for iPIC Research Group which responded to their continued investigation into the link between politics, identities and cultures from a variety of disciplines and from an intersectional perspective.
Pitch/Presentation
#: 0061
Year: 2020
Client(s): iPIC Research Group
Deliverable(s): Logo, Identity system, Social media
Typeface(s): Roboto Medium, Italic, Regular, Light and Medium Italic (by Typetype)
0060
The Derek Hill Collection
-
- 2020
- Grey
- Derek Hill, BA Fine Art, The Winchester Gallery
- A-boards A1 (420 × 594 mm), E-invite, Posters A3 (420 × 297 mm), Vinyl
- Oracle Book and Mono (by abcDinamo)
- Munken 170gsm (by G.F. Smith)
The Derek Hill Collection
Transcription Project
A visual language for the first collaborative outcome of an informal relationship between WSA Fine Art and the Derek Hill Collection of twentieth-century art at Mottisfont, National Trust, near Romsey. The exhibition consisted of transcriptions of selected works from the collection.
#: 0060
Year: 2020
Colour(s): Grey
Client(s): Derek Hill, BA Fine Art, The Winchester Gallery
Deliverable(s): A-boards A1 (420 × 594 mm), E-invite, Posters A3 (420 × 297 mm), Vinyl
Paper(s): Munken 170gsm (by G.F. Smith)
Printers: Big Stuff
0059
Tactically Absurd
-
- 2020
- Grey
- The Winchester Gallery
- A-boards A1 (420 × 594 mm), Posters A3 (420 × 297 mm), E-invite, Vinyl
- Oracle Book and Mono (by abcDinamo)
- Munken 170gsm (by G.F. Smith)
Tactically Absurd
Dave Ball
A visual language for Tactically Absurd, an event that brought together three thematically-diverse projects by Dave Ball that embodied a particular approach to post-conceptual art practice. The works deployed what the artist refers to in his practice-based PhD research at Winchester School of Art as the device of ‘tactical absurdity’.
Less a recognisable style or tenor than a conceptual tool, tactical absurdity is a means of engaging with a given context that deliberately fails to make sense. By disrupting, destabilising or circumventing conventional paths into meaningfulness, the works in the exhibition operated through an indeterminacy that is both generative and critical.
#: 0059
Year: 2020
Colour(s): Grey
Client(s): The Winchester Gallery
Deliverable(s): A-boards A1 (420 × 594 mm), Posters A3 (420 × 297 mm), E-invite, Vinyl
Paper(s): Munken 170gsm (by G.F. Smith)
Printers: Big Stuff
0058
Winchester Design Festival
-
- 2019
- Grey
- Winchester School of Art, Winchester Design Festival
- Identity system, Logo
- Circular Regular (by Lineto)
- -
Winchester Design Festival
A logo and social media campaign for Winchester Design Festival - an event that highlights the local design community. Typographically-led, we designed a system that saw an introduction of contemporary shape as well as colour which would later partner with the Children’s Design Week.
Pitch/Presentation
#: 0058
Year: 2019
Colour(s): Grey
Client(s): Winchester School of Art, Winchester Design Festival
Deliverable(s): Identity system, Logo
0056
Prospectus 2019
-
- 2019
- BlueCyanOrange
- Winchester School of Art
- Prospectus 167 × 240 mm
- DIN Bold and Regular (by Albert-Jan Pool)
- Munken Polar Crisp White Smooth 240gsm, Cyclus Offset 120gsm
Prospectus 2019
Working with the University of Southampton’s brand guidelines, we designed Winchester School of Art’s prospectus in 2019.
#: 0056
Year: 2019
Client(s): Winchester School of Art
Deliverable(s): Prospectus 167 × 240 mm
Typeface(s): DIN Bold and Regular (by Albert-Jan Pool)
Paper(s): Munken Polar Crisp White Smooth 240gsm, Cyclus Offset 120gsm
Printers: PurePrint Group
0055
Come and go
-
- 2019
- MagentaGrey
- The Winchester Gallery
- Identity system, Booklets A5 (148 × 210 mm), Posters A2 (420 × 594 mm), Vinyl, Animation
- Oracle Book and Medium (by abcDinamo)
- Munken 170gsm (by G.F. Smith)
Come and go
Halt extreme left
An identity system for Come and go, an exhibition that theatricalised the functional dimensions of our constructed environments: partitions, curtain walls, windows, floors and other components. The seven artists in this exhibition brought their distinct material practices and individual perspectives. The cross currents form spatial choreographies that enfold the gallery space into the exhibition with space activated on multiple levels in individual works and across works. The work sought to draw the spectator in as participant or actor caught within overlapping and circuitous architectures that played on the notion of theatre with its temporal scene changes, spatial layering, continuities and discontinuities.
#: 0055
Year: 2019
Client(s): The Winchester Gallery
Deliverable(s): Identity system, Booklets A5 (148 × 210 mm), Posters A2 (420 × 594 mm), Vinyl, Animation
Paper(s): Munken 170gsm (by G.F. Smith)
Printers: Print Centre, University of Southampton
0054
MA Degree Show 2019
-
- 2019
- GreenYellow
- Winchester School of Art
- Identity system, A-boards A1 (420 × 594 mm), E-invite, Signage, Booklets A5 (148 × 210 mm), Vinyl, Posters A2 (420 × 594 mm)
- -
- Edition Offset 120gsm, Edixion Offset 170gsm
MA Degree Show 2019
An identity system for Winchester School of Art’s MA Degree Show in 2019, that was a continuation from the BA Degree Show (Create Curate) to formulate a visual series yet still remaining as a stand-alone event with a seperate colour palette.
#: 0054
Year: 2019
Client(s): Winchester School of Art
Deliverable(s): Identity system, A-boards A1 (420 × 594 mm), E-invite, Signage, Booklets A5 (148 × 210 mm), Vinyl, Posters A2 (420 × 594 mm)
Paper(s): Edition Offset 120gsm, Edixion Offset 170gsm
Printers: Culverlands
0052
